Confucius Ads Library: Ads

Id	Vlad	Saved	Scrape Time	Status	Scrape Result	Title	Body	Cta Type	Link Url	Page Name	Page Profile Uri	Page Like Count	Enddate	Cta Text	Caption	Display Format	Link Description	Link Url	Creation Time	Page Profile Picture Url	Page Entity Type	Page Is Profile Page	Current Page Name	Startdate	Actions
2,506,835	/src/Template/Ads/index.ctp (line 281) null	Yes	2024-11-22 18:57	active	1907	Handmade Green Moroccan Shag Wool Rug 9'11" x 13'2	Handmade Green Moroccan Shag Wool Rug 9'11" x 13'2 - $2,300.00 One-of-a-kind area rug, hand-knotted by Beni M'rirt tribes in the Middle Atlas mountains of Morocco Dimensions: 9'11" x 13'2" (302 cm x 402 cm) 100% wool One-sided fringe: measures 3.1" (8 cm) Plush pile: approximately 1.2" (3 cm) Color palette: kelly green, cream, chartreuse These rugs are prized for their expressive design and construction. Their freeform edges meander and wiggle, unbound by constrictions of mass production. Purchased from Revival Rugs three years ago. Pet-free home. Rug was rolled up and stored when we got a dog. https://www.revivalrugs.com/products/moroccan-rug-ramanan?variant=39832567709795 Facebook Marketplace	CONTACT_US	https://facebook.com/marketplace/item/578763144652	Alyssa Lawrence	https://www.facebook.com/Alyssa-Lawrence-119668966484154/	0	1969-12-31 18:00	Contact us		IMAGE		https://facebook.com/marketplace/item/578763144652285/	1969-12-31 18:00		REGULAR_PAGE	1	Alyssa Lawrence	1969-12-31 18:00	View Edit Delete
2,506,720	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	No	2024-11-22 18:57	active	1907		🔴SUDADERAS CALIDAD AMERICANA😍🔴 𝐏𝐄𝐃𝐈𝐃𝐎 𝐀𝐁𝐈𝐄𝐑𝐓𝐎🎄🎅𝐏𝐥𝐚𝐲𝐞𝐫𝐚𝐬 𝐲 𝐇𝐨𝐨𝐝𝐢𝐞𝐬 Más de 50 colores a elegir❤️🩷🧡💛💚💙🩵💜 ❄️Tallas desde 4 años hasta 4XL ✨Diseños personalizados✨ 📨Envía inbox para cotización	MESSAGE_PAGE		Atenea Jrz	https://www.facebook.com/ateneajrz/	5,754	1969-12-31 18:00	Send message		MULTI_IMAGES			1969-12-31 18:00	https://scontent-lga3-3.xx.fbcdn.net/v/t39.35426-6/467694919_1657444444836751_7136666213769897933_n.jpg?stp=dst-jpg_s60x60&_nc_cat=104&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=DkfuLYhupDIQ7kNvgFl3M3g&_nc_zt=14&_nc_ht=scontent-lga3-3.xx&_nc_gid=A7HYMcnBSHoLzZQ1AoB3jEA&oh=00_AYAzuF0slEHprIB9EgyXZTgZzR8sJVX-ALIhMydE6Te_ag&oe=6746E765	PERSON_PROFILE	0	Atenea Jrz	1969-12-31 18:00	View Edit Delete
2,505,565	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	No	2024-11-22 18:57	active	1907	The Vampire And His Blood Wife👉👉👉	The Vampire And His Blood Wife ONLY on Drama Time.🎬 Don't miss out! Watch the series you've been wanting to see. No regrets, just pure entertainment! #Must SeeTV #No Regrets #Watch Now	WATCH_MORE		Romantic Love		0	1969-12-31 18:00	Watch More		DCO			1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/461200830_409103592223043_120534980819975406_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=102&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=8C_WgkxS1vYQ7kNvgFYPhZ3&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AKtfYCEZVCH6RraY82dWZr7&oh=00_AYDu2gWuSVK2KBOYqfJeHnpVTceMigldOhVomC3LEzeBmA&oe=6746F76C	REGULAR_PAGE	0		1969-12-31 18:00	View Edit Delete
2,505,966	/src/Template/Ads/index.ctp (line 281) null	Yes	2024-11-22 18:57	active	1907	ELVIS In Vegas	Join us as Ultimate Champion Cote Deonath returns to Niceville, Florida, for an all-new show featuring the Las Vegas Career of the King of Rock N' Roll, Elvis Presley! Paying tribute to his early Vegas years of the 1970s to 1975! All the Jumpsuits you could ever want and the shaking hips too! Join us on February 15th,2025, at The Mattie Kelly Arts Center for a night of Elvis you won't soon forget!	BUY_TICKETS	https://mpv.tickets.com/?agency=NFCV_PLAGENCY_MPV&	Cote Deonath	https://www.facebook.com/CoteUltimateETA/	32,063	1969-12-31 18:00	Buy tickets	mpv.tickets.com	EVENT		https://mpv.tickets.com/?agency=NFCV_PLAGENCY_MPV&orgid=50369&eventId=118085#/event/E118085/seatmap/?selectBuyers=false&minPrice=35&maxPrice=65&quantity=2&sort=price_desc&ada=false&seatSelection=true&onlyCoupon=true&onlyVoucher=false	1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/467937818_1110226980474942_9216745837956040189_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=111&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=uOKo0Pu_9C0Q7kNvgFDGhPK&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AznF-GVOj9L2lsXsRRUNwzp&oh=00_AYDldGU5OyktEeW3xl7uW8KTiptPEoJGjbqEtrCAQMQ0_g&oe=67470FFD	PERSON_PROFILE	0	Cote Deonath	1969-12-31 18:00	View Edit Delete
2,505,980	/src/Template/Ads/index.ctp (line 281) '{"is_bh_simple_request":false,"simple_request_ratio":1,"is_bh_selenium":false,"selenium_ratio":1,"ratio_threshold":0.8}'	Yes	2024-11-22 18:57	active	1907	Save 25% on Holiday Allergen-Proofing Bundles!	Don’t let cat allergies keep your family apart this holiday season. Pacagen is here to help you allergen-proof your home. Our Limited Time Only Holiday Bundles give you two ways to neutralize 98% of cat allergens in your home. You can save 25% on our Holiday Allergen-Proofing Bundle while supplies last. That’s guaranteed cat allergen relief for the whole holiday season and $46 saved in your pocket. 😻	SHOP_NOW	http://pacagen.com/products/holiday-bundle	Pacagen	https://www.facebook.com/pacagen/	3,824	1969-12-31 18:00	Shop Now	pacagen.com	DCO	Pacagen’s Cat Allergen Neutralizing products are the #1 remedy for cat allergens. Developed with veterinarians and engineered for world-class efficacy, our breakthrough technology removes 98% of cat allergens on contact, so you can breathe easy around your cats. 96% of Pacagen customers reported that Pacagen helped their or a loved one's cat allergies. Real science for real results. Click now to try Risk Free for 30 Days.	http://pacagen.com/products/holiday-bundle	1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/468174811_948498400468171_7205258839300741345_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=103&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=cvM4pkS4tYIQ7kNvgGJm1j2&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AznF-GVOj9L2lsXsRRUNwzp&oh=00_AYCjiblahrbRXjJPJ00-SvNz0ITAkcdjqBjnUMAswvklqg&oe=6746F3A9	PERSON_PROFILE	0	Pacagen	1969-12-31 18:00	View Edit Delete
2,505,983	/src/Template/Ads/index.ctp (line 281) '{"alias":2505980}'	No	2024-11-22 18:57	active	1907	Save 25% on Holiday Allergen-Proofing Bundles!	Don’t let cat allergies keep your family apart this holiday season. Pacagen is here to help you allergen-proof your home. Our Limited Time Only Holiday Bundles give you two ways to neutralize 98% of cat allergens in your home. You can save 25% on our Holiday Allergen-Proofing Bundle while supplies last. That’s guaranteed cat allergen relief for the whole holiday season and $46 saved in your pocket. 😻	SHOP_NOW	http://pacagen.com/products/holiday-bundle	Pacagen	https://www.facebook.com/pacagen/	3,824	1969-12-31 18:00	Shop Now	pacagen.com	DCO	Pacagen’s Cat Allergen Neutralizing products are the #1 remedy for cat allergens. Developed with veterinarians and engineered for world-class efficacy, our breakthrough technology removes 98% of cat allergens on contact, so you can breathe easy around your cats. 96% of Pacagen customers reported that Pacagen helped their or a loved one's cat allergies. Real science for real results. Click now to try Risk Free for 30 Days.	http://pacagen.com/products/holiday-bundle	1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/468174811_948498400468171_7205258839300741345_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=103&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=cvM4pkS4tYIQ7kNvgGJm1j2&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AznF-GVOj9L2lsXsRRUNwzp&oh=00_AYCjiblahrbRXjJPJ00-SvNz0ITAkcdjqBjnUMAswvklqg&oe=6746F3A9	PERSON_PROFILE	0	Pacagen	1969-12-31 18:00	View Edit Delete
2,505,982	/src/Template/Ads/index.ctp (line 281) '{"alias":2505980}'	No	2024-11-22 18:57	active	1907	Save 25% on Holiday Allergen-Proofing Bundles!	Don’t let cat allergies keep your family apart this holiday season. Pacagen is here to help you allergen-proof your home. Our Limited Time Only Holiday Bundles give you two ways to neutralize 98% of cat allergens in your home. You can save 25% on our Holiday Allergen-Proofing Bundle while supplies last. That’s guaranteed cat allergen relief for the whole holiday season and $46 saved in your pocket. 😻	SHOP_NOW	http://pacagen.com/products/holiday-bundle	Pacagen	https://www.facebook.com/pacagen/	3,824	1969-12-31 18:00	Shop Now	pacagen.com	DCO	Pacagen’s Cat Allergen Neutralizing products are the #1 remedy for cat allergens. Developed with veterinarians and engineered for world-class efficacy, our breakthrough technology removes 98% of cat allergens on contact, so you can breathe easy around your cats. 96% of Pacagen customers reported that Pacagen helped their or a loved one's cat allergies. Real science for real results. Click now to try Risk Free for 30 Days.	http://pacagen.com/products/holiday-bundle	1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/468174811_948498400468171_7205258839300741345_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=103&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=cvM4pkS4tYIQ7kNvgGJm1j2&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AznF-GVOj9L2lsXsRRUNwzp&oh=00_AYCjiblahrbRXjJPJ00-SvNz0ITAkcdjqBjnUMAswvklqg&oe=6746F3A9	PERSON_PROFILE	0	Pacagen	1969-12-31 18:00	View Edit Delete
2,506,001	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	Yes	2024-11-22 18:57	active	1907	Nice 2 talk here	I am enjoying my current life in the United States. I feel free and comfortable, I have gained a lot in the last two years and experienced different western cultures, I enjoy golf, stocks, charity, travelling, sports and beaches. Working in an investment bank, I like to use my holidays to travel, explore new things and improve my world view. Here, I love the world's entertainment and movie mecca of LA, the modern metropolis of CHI, the holiday paradise of MIA, and the world financial centre of N Y. I hope to talk about the future with more like-minded people in the days to come, and I believe good things will happen.	MESSAGE_PAGE		Kelly Chen	https://www.facebook.com/61557291545031/	102	1969-12-31 18:00	Send Message		DCO	{{product.description}}		1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/467942221_1136607691153808_5686475361619900154_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=103&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=VM8lnvSa4C0Q7kNvgE2pEYO&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AVIgdYBCGth7f0d09zSevL3&oh=00_AYDzL72_DvZUtlxXT4ZbkB8zZKV-V7XdzuX0WlIFU5GvRA&oe=6747071E	PERSON_PROFILE	0	Kelly Chen	1969-12-31 18:00	View Edit Delete
2,506,537	/src/Template/Ads/index.ctp (line 281) null	Yes	2024-11-22 18:57	active	1907		new ghost photo just dropped? what do you think? find Dana’s episode of Tell Me Your Ghost Story Podcast on all podcast platforms and YouTube now!	VIEW_INSTAGRAM_PROFILE	http://instagram.com/tellmeyourghoststorypodcast	tellmeyourghoststorypodcast	https://www.instagram.com/_u/tellmeyourghoststorypodcast	0	1969-12-31 18:00	Visit Instagram profile	instagram.com	VIDEO		http://instagram.com/tellmeyourghoststorypodcast	1969-12-31 18:00	https://scontent-lga3-1.cdninstagram.com/v/t51.2885-19/451747374_1169921267635311_6664361849076921009_n.jpg?stp=dst-jpg_s206x206&_nc_cat=103&ccb=1-7&_nc_sid=525117&_nc_ohc=wHOFRO09mv4Q7kNvgELohEg&_nc_zt=24&_nc_ht=scontent-lga3-1.cdninstagram.com&oh=00_AYAF6J7q2H4VtmqNzr3IOUOIidF_6RpxkCM0L-OXSBNA_Q&oe=67470171	IG_ADS_IDENTITY	1	tellmeyourghoststorypodcast	1969-12-31 18:00	View Edit Delete
2,506,231	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	No	2024-11-22 18:57	active	1907		ON THIS DATE (56 YEARS AGO) November 22, 1968 – The Beatles: The Beatles is released. # ALL THINGS MUSIC PLUS+ 5/5 # Allmusic 5/5 # Rolling Stones (see original review below) # Disc and Music Echo (see original review below) The Beatles is the ninth album by The Beatles, a double album released on November 22, 1968. It is also commonly known as "The White Album" as it has no graphics or text other than the band's name embossed (and, on the early LP and CD releases, a serial number) on its plain white sleeve. It reached #1 on the Billboard 200 Top LP's chart in its third week, spending a total of nine weeks at the top. In all, The Beatles spent 155 weeks on the Billboard 200. It debuted at #1 on the UK album chart and totaled eight weeks at that position, and spent a total 24 weeks on the UK chart. Most of the songs were conceived during a transcendental meditation course with Maharishi Mahesh Yogi in Rishikesh, India in the spring of 1968. The retreat had required long periods of meditation, initially conceived by the band as a spiritual respite from all worldly endeavours—a chance, in John Lennon's words, to "get away from everything." Both Lennon and Paul McCartney had quickly found themselves in songwriting mode, however, often meeting "clandestinely in the afternoons in each other's rooms" to review the new work. "Regardless of what I was supposed to be doing," Lennon would later recall, "I did write some of my best songs there." Close to forty new compositions had emerged in Rishikesh, twenty-three of which would be recorded in very rough form at Kinfauns, George Harrison’s home in Esher, in May 1968. The Beatles had left Rishikesh before the end of the course, with Ringo Starr and then McCartney departing, and Lennon and Harrison departing together later. According to some reports, Lennon left Rishikesh because he felt personally betrayed by rumours that Maharishi had made sexual advances toward Mia Farrow's sister Prudence, who had accompanied The Beatles on their trip. Shortly after he decided to leave, Lennon wrote a song called "Maharishi" which included the lyrics, "Maharishi/You little twat"; the song became "Sexy Sadie". According to several authors, Alexis Mardas (aka "Magic Alex") deliberately engineered these rumours because he was bent on undermining the Maharishi's influence over each Beatle. In a 1980 interview, Lennon acknowledged that the Maharishi was the inspiration for the song: "I just called him 'Sexy Sadie'." The group returned to the studio for recording from May to October 1968, only to have conflict and dissent drive the group members apart. Ringo Starr quit the band for a brief time, leaving Paul McCartney to perform drums on some of the album's songs. Many of the songs were "solo" recordings, or at least by less than the full group, as each individual member began to explore his own talent. The album was the first that The Beatles undertook following the death of their manager, Brian Epstein, and the first released by their own record label, Apple. The Beatles was recorded between 30 May 1968 and 14 October 1968, largely at Abbey Road Studios, with some sessions at Trident Studios. Although productive, the sessions were reportedly undisciplined and sometimes fractious, and they took place at a time when tensions were growing within the group. Concurrent with the recording of this album, The Beatles were launching their new multimedia business corporation Apple Corps, an enterprise that proved to be a source of significant stress for the band. The sessions for The Beatles marked the first appearance in the studio of Lennon's new girlfriend and artistic partner, Yoko Ono, who would thereafter be a more or less constant presence at all Beatles sessions. Prior to Ono's appearance on the scene, the individual Beatles had been very insular during recording sessions, with influence from outsiders strictly limited. McCartney's girlfriend at the time, Francie Schwartz, was also present at some of the recording sessions. Author Mark Lewisohn reports that The Beatles held their first and only 24-hour recording/producing session near the end of the creation of The Beatles, which occurred during the final mixing and sequencing for the album. The session was attended by Lennon, McCartney, and producer George Martin. Despite the album's official title, which emphasized group identity, studio efforts on The Beatles captured the work of four increasingly individualized artists who frequently found themselves at odds. The band's work pattern changed dramatically with this project, and by most accounts the extraordinary synergy of The Beatles' previous studio sessions was harder to come by during this period. Sometimes McCartney would record in one studio for prolonged periods of time, while Lennon would record in another, each man using different engineers. At one point in the sessions, George Martin, whose authority over the band in the studio had waned, spontaneously left to go on holiday, leaving Chris Thomas in charge of producing. During one of these sessions, while recording "Helter Skelter", Harrison reportedly ran around the studio while holding a flaming ashtray above his head. Long after the recording of The Beatles was complete, Martin mentioned in interviews that his working relationship with The Beatles changed during this period, and that many of the band's efforts seemed unfocused, often yielding prolonged jam sessions that sounded uninspired. On 16 July recording engineer Geoff Emerick, who had worked with the group since Revolver, announced that he was no longer willing to work with the group. The sudden departures were not limited to EMI personnel. On 22 August, Starr abruptly left the studio, explaining later that he felt that his role was minimised compared to that of the other members, and that he was tired of waiting through the long and contentious recording sessions. Lennon, McCartney, and Harrison pleaded with Starr to return, and after two weeks he did. Upon Starr's return, he found his drum kit decorated with red, white, and blue flowers, a welcome-back gesture from Harrison. The reconciliation was, however, only temporary, and Starr's exit served as a precursor of future "months and years of misery", in Starr's words. Indeed, after The Beatles was completed, both Harrison and Lennon would stage similar unpublicized departures from the band. McCartney's public departure in 1970 would mark the formal end of the band's ensemble. He described the sessions for The Beatles as a turning point for the group. Up to this point, he observed, "The world was a problem, but we weren't. You know, that was the best thing about The Beatles, until we started to break up, like during the White Album and stuff. Even the studio got a bit tense then." The album's working title, A Doll's House, was changed when the English progressive rock band Family released the similarly titled Music in a Doll's House earlier that year. __________ THE COVER and PACKAGING In the end the revolutionary nature of Richard Hamilton’s final design was in its utter simplicity. Richard Hamilton, a notable pop artist who had organized a Marcel Duchamp retrospective at the Tate Gallery the previous year, was responsible for the albums original sleeve design. It is the only sleeve of a Beatles studio album not to show the members of the band on the front. His design was in stark contrast to Peter Blake’s vivid cover art for Sgt. Pepper, and consisted of a plain white sleeve with the band’s name discreetly embossed slightly below the middle of the album’s right side. The cover also featured a unique stamped serial number, “to create,” in Hamilton’s words, “the ironic situation of a numbered edition of something like five million copies.” Paul McCartney requested the design be as stark a contrast to Sgt Pepper’s day-glo explosion as possible… he got it! ~ Richard Hamilton Hamilton intended the cover design to resemble the “look” of conceptual art, an emerging movement in contemporary art at the time. The album’s inner-gatefold opened at the top originally, not the sides. Most assume the stark white cover that adorns The Beatles’ ninth LP was the brainchild of John Lennon or Yoko Ono. It’s minimalist and conceptual art influence was definitely in step with the pair’s avant-garde leanings. Lennon himself had utilized both a white canvas and white balloons in his “You Are Here” exhibition held July of that year at the Robert Fraser Gallery. Hamilton produced an iconic masterpiece of minimalist modern design. He had landed the job via mutual friend and gallery owner Robert Fraser. In the early stages of his design, he proposed that the white sleeve be augmented with a coffee cup stain, that was deemed “too flippant”. He then suggested that the cover be impregnated with apple pulp, in homage to The Beatles’ company Apple Corp, this too was considered “impractical” and was also rejected. In the end the revolutionary nature of Hamilton’s design was in it’s simplicity. The inner-sleeve was a bit more conventional, with song titles listed on the inner-left gatefold, on the lower right, and four black and white portraits on the lower portion of the inner-gatefolds right side. The poster, with its collage of snapshots and contact sheets put together by Hamilton, along with the color portraits of the individual members, was also included with the album. As the music contained within was less a collaboration and more the result of three distinct songwriters in John, Paul and George, so too did Hamilton’s design, with it’s utilization of solo shots of each band member, focus on The Beatles as individuals rather than a group. The first two million copies of the LP also had an individual edition number. Copies were numbered, the same system used at all 12 pressing plants (so there are 12 1s, 12 2s, etc). Also, due to a dispute over banding (where the space between songs is visible on the record disc), some copies are banded and some aren’t — even between copies pressed at the same plant. John got 00001 “because he shouted the loudest” recalled Paul. No singles were issued from the album until 1976, when “Ob-La-Di, Ob-La-Da” was released as a single with “Julia” as the B-side. The album included a set of four color photographs taken by John Kelly during the autumn of 1968. Richard Hamilton also came up with the montage idea for the large free poster, which included the lyrics on it’s rear. Original copies of the album also had a top opening sleeve, and black paper inner sleeves. The first UK release album cover had outlets at its top, as it was called as the “Open Top” cover. Flaps inside the gatefold cover were visible at the left and the right sides. Early copies were issued with a protector sheet placed on the top of each photo and had a custom black inner sleeve. The music publisher’s name for George’s and Ringo’s songs was printed “Apple Publishing Ltd.” on the first printing and was changed afterwards to “Harrisongs Ltd.” and “Startling Mus.” The albums design and art direction are officially credited to Richard Hamilton, Gordon House and Jeremy Banks, with photography by John Kelly. __________ 73 BOB IS THE COST OF THE NEW BEATLES LP. PAY UP AND SMILE by PENNY VALENTINE Disc and Music Echo-November 9, 1968, p24 AND SO after a year in the making, "The Beatles"- their hour and a half long, 30 track, 73 bobs worth of brilliance-is ready. To hear it leaves you punch-drunk and breathless and wondering exactly what you can say. how you can put into words any constructive criticism of this double venture. And when all the hoo hah has died down. When all the bouquets have stopped flooding in. when yet another crown has been put on the four crown-filled heads, and the superlatives have ceased raving round the world, what does "The Beatles" finally prove? That the songwriting has got even better? Yes. That the arrangements, orchestrations and actual thought behind each track have surpassed all before'! Yes. But possibly, more than anything else. it proves two things. One is that, as someone pointed out most succinctly, on tracks that are really R & B based, the Beatles are a very good GROUP, never mind anything else. And the other that where "Sgt Pepper” was, in a way, a continuation or a musical trend already progressing in America. This is The Beatles pure and simple. In cold harsh criticism, one cant wax poetical endlessly - what comes to light of the 30 tracks only two are a little above average, 27 are brilliant and at least four will become standards pop numbers. This then is ''The Beatles," on sale November 16. SIDE ONE: Back In the U.S.S.R. Paul sings lead on a song which the great American society -with all it’s nervous reactions will hate. An incredible loud, light determined feel to the whole number made more so by end jet plane noises. "We're flying for Miami Beach." they sing and then comes a glorious Beach Boy send up. Dear Prudence: John sings about a man who lives for his girlfriend's smile. For John this is a very gentle pretty little love song with warm guitar and voices merging in the background. It builds slightly towards the end with piano and brass. Glass Onion: A send-up song dedicated to all the people who think -there is deep inner significance to all the Beatles songs, lyrics. John does his "Walrus' voice and there are mentions of "Fool On The Hill." Ob-La-Di, Ob-La-Da: If you say the title quickly, you will, in fact, realise that the first word is Oh Bloody, which really doesn't have any deep significance as the song is sung with a kind of West Indian joviality and rampages through with a Jamaican band backing. Paul sings it with some hard crisp backing voices, avery good cheery chorus, and someone sayihg "Thank You" out of the blue at the end. Honey Pie (part one): The real Honey Pie---on side 4 - bears absolutely no relation to this tiny track. Nevertheless it is here and has very hysterical voices with mad Indian sounds in the background. The Contlnuing Story of Bungalow Bill: Anyone who remembers Saturday morning pictures will warm to this track. John sings the saga of a White Game Hunter with splendid ferocity. "In case of accidents" it goes ''He'd always take his mum.'' A story with a moral it also mentions Captain Marvel and there is a great deal of worthy appause and whistling at the end. While My Guitar Gently Weeps: The first George Harrison track on the album - there are three more - which has a lot of whining hard guitar work and George singing in a plaintive voice of descending notes. Nice sharp cymbals in there too. Happriness Is a Warm Gun: There's always a sharp dividing line between the songs Lennon writes and the songs McCartney writes - and they are always apparent. This is so typically Lennon, lyrically ful1 of astounding connotations, it inveigles its way upon you until the whole thing breaks up into a great 1950's pop song send-up. SIDE 2: Martha My Dear: Paul wrote this about his beloved sheepdog, but in fact it's likely to be done very straight by nearly every group in the land. Paul plays some lovely piano and sings of his dog as though it is the greatest love in his life - which it no doubt is. I'm So Tired: Lennon in a terrible state because of his girlfriend.”Please give me peace of mind," he pleads having cancelled all the daily papers for three weeks. His sad,edgy voice is double tracked and builds to screaming pitch with sharp guitar. Blackbird: The first Beatles track to be done unaccompanied. It's just Paul singing, playing guitar and tapping his foot. A very sweet, intensely pretty song with blackbird sound track sounds in the background. Another song which will be taken off the album to be done by a lot of other people. Piggies: George’s second song. a beastly little piece about piggy people, with piggy habits and piggy wives. Harpsichord and cellos make it into a frantic mock - Elizabethan piece with, naturally a lot of real pig grunting and squealing at the end. Rocky Raccoon: The saga of poor old Rocky who knew his girl was doing him wrong. Paul starts off in a hard Western voice with Dylan harmonica and then turns sweet as he unfolds the sad tale. Bar room piano is added to great effect. Don’t Pass Me By: The first-ever Ringo Starr composition. Sung by Starkey in person with great vigor and a village band backing. It’s nice enough but it goes on too long. Why Don't We Do It In The Road: This is the first of the really hard R & R tracks. Apart from some mind-boggling three lines - which is all the song consists of -and do WHAT tn the road one might wonder? It has a very Canned Heat feeling. Paul, versatile as a chameleon brings out his hard-raving voice for this one. I Will: A pure pop song that will probably be taken and softened up more by Astrud Gilberto. A very gentle number with guitars and light bongos. Julie: John sounding much warmer than usual on a very sweet love song that is destined to be taken, changed slightly, and turned into a standard song by someone like Jack Jones. SIDE 3 Birthday: A real rock-n-roll track with Paul doing his Uncle Richard bit. Very very hard guitar and an incredible drum break with people yelling and stomping. Yer Blues: A big, crashing, home-grown blues number - as if it was sung by Blind Lemon Jefferson, you'd never know it wasn't the authentic stuff. Until, that is, John breaks into a send up of Elvis Presley’s “Heartbreak Hotel”gobbly voice echo chamber, the lot. Mother Nature's Son: A very small pretty song in the Donovan vein, but so obviously McCartney it hurts. Paul sings with very soft, beautiful guitar, gentle brass and a tremendous warmth. Everybody's Got Something To Hide Except Me and My Monkey: Typical John song which has led the inhabitants of Apple to make a lot of guesses as to whom John's monkey might be! This really shows the Beatles up as a group-with a tremendous rhythm section. Paul on bass and John going literally vocally bonkers. Sexy Sadie: On first hearing, at least, not one of the great tracks on the album. Nice enough, though, and perhaps one does after a while tend to get super critical. Paul singing. A song that slides into itself with very few breaks. Helter Skelter: If by now your neighbors have not yet bashed on the walls--this will be the one that finally makes them do it! The hugest, noisiest, fullest track on the album. Paul sings about trying to "make" this girl and he's coming down fast, so watch out! Watch out indeed. It’s a track of instant aggressiveness that finally gathers momentum into screeching madness. The end goes away and comes back again like an underground train. “I’ve got blisters on my fingers," screeches the poor unfortunate guitarist at the end- and no wonder. Long, Long, Long: George's third song. 1t’s very pretty and less mysterious than usual for George. At times it's really almost basically waltzy with very light organ and some crashing drum splitting the waltz rhythm SIDE 4: Revolution: This is, in fact, a different track from the original ‘B’ side of " Hey Jude." Same song is done much slower without all the distortion. It’s far more insinuating than before Honey Pie: And so to the real Honey Pie. The story line, as told by Paul, is about a chap whose girlfriend goes to America and makes it big as a star. Apparently, it took Paul "years of research” to get the authentic sounding 1920's backing. It was worth it - you really would never know it hadn't come out of one of those great Hollywood musicals with thousands of girls shot from above so that they looked like a giant sunflower. Savoy Truffle: Harrison’s songwriting has improved. This last of George's offering sounds like it was inspired by the contents of a chocolate box. Apparently after you've eaten the Savoy Truffle you go mad and eat the rest of the box, which are described in candy detail. Cry Baby Cry: Based on a fine old classic, "Four And Twenty Blackbirds" (back to school, kids), John sings this strange little song which is hard to suss out. 1f you feel in the mood you may consider to be either a send-up of high society, a send up of suburban life-or just a song Revolution 9: A track the people at Apple consider is going to go down “very big on the West Coast"- as, in fact, did "I Am A Walrus. '' It will definitely appeal to the same brigade, being merely many minutes of distorted tapes set out like a montage. It will either send you screaming up the wall or you will sit in blind fascination trying to catch the sounds. In there somewhere are pieces from classical orchestra recitals, film soundtracks, crowds chanting, and a man endlessly muttering “Nine, nine, nine. nine." It reeks of John Lennon almost final contribution to the world. “This is what I have to say to you," he almost seems like saying. Good Night: And so to the end this utterly exhausting, stimulating offering comes the final and complete send-up. In fact, it will be taken seriously because, when all is said and done, it's very, very pretty. It is sung by Ringo with massive oozy strings and all the intense balladeers in the country will grab it to sing. In fact. Mantovani will probably record it. It sounds like an Ovaltine advert and it's really very sweet. __________ ORIGINAL ROLLING STONE REVIEW The power of rock and roll is a constantly amazing process. Although it is Bob Dylan who is the single most important figure in rock and roll; and although it is the Rolling Stones who are the embodiment of a rock and roll band; it is nonetheless Our Boys, the Beatles, who are the perfect product and result of everything that rock and rolls means and encompasses. Never has this been so plainly evident as on their new two album set, The Beatles (Apple SWBO 101). Whatever else it is or isn’t, it is the best album they have ever released and only the Beatles are capable of making a better one. You are either hip to it, or you ain’t. The impact of it is so overwhelming that one of the ideas of the LP is to contain every part of extant Western music through the all-embracing medium of rock and roll, that such categorical and absolute statements are imperative. Just a slightly closer look shows it to be a far more deliberate, self conscious, pretentious, organized and structured, coherent and full more perfect album than Sgt. Pepper’s Lonely Hearts Club Band. Sgt. Pepper’s applied the concept of the symphony to rock and roll, adding an incredible (and soon overused) dimension to rock and roll. Nothing could have been more ambitious than the current release: The Beatles in the history and synthesis of Western music. And that, of course is what rock and roll is, and that is what the Beatles are. Not only the origin of rock and roll, but also the short history of it can be seen as a series of hybridizations, the constantly changing styles and fads, as rock assimilates every conceivable musical style (folk, blues, soul, Indian, classical, psychedelic, ballad, county) not only a recent process, but one that goes back to the Drifters, Elvis Presley, Little Richard, Buddy Holly and so on. Rock and roll’s longevity is its ability to assimilate the energy and style of all these musical traditions. Rock and Roll at once exists and doesn’t exist; that is why the term “rock and roll” is the best term we have, as it means nothing and thus everything and that is quite possibly the musical and mystical secret of the most overwhelming popular music the world has known. By attempting such a grandiose project with such deliberation and honesty, they have left themselves extremely vulnerable. There is not the dissemblance of being “our boys” from Hard Day’s Night, nor the disguise of Sgt. Pepper’s band; it is on every level an explanation and an understanding of who and what the Beatles are. As usual, the personal honesty is met with an attack (The secret is that innocence is invulnerable, and those who rush too quickly for the kill, are just themselves dead). On the level of musical ignorance, I read the very first review of this record that appeared; it was in the New York Times. In about 250 words the “critic” dismissed the album as being neither as good as the Big Brother Cheap Thrills LP nor as the forthcoming Blood Sweat and Tears album. You come up with only one of the two answers about that reviewer: he is either deaf or he is evil. Those who attacked the Beatles for their singing Revolution” should be set down with a good pair of earphones for a listen to Side Four, where the theme of the single is carried out in two different versions, the latter with the most impact. And if the message isn’t clear enough, “Revolution No. 9″ is followed by “Goodnight.” To say the Beatles are guilty of some kind of revolutionary heresy is absurd; they are being absolutely true to their identity as it has evolved through the last six years. These songs do not deny their own “political” impact or desires; they just indicate the channeling for them. Rock and Roll has indeed become a style and a vehicle for changing the system. But one of the parts of the system to be changed is “politics” and this includes “New Left” politics. There is no verbal recognition required for the beautifully organized music concrete version of “Revolution.” A good set of earphones should deliver the message to those we have so far been able to reach. Maybe this album would be a good gift from them, “with love from me to you.” As to the Beatles, it is hard to see what they are going to do next. Like the success of their earlier albums and the success of all others in the field, whether original artists or good imitative ones, the success of it is based on their ability to bring these other traditions to rock and roll (and not vice versa, like the inevitable excess of “folk-rock,” “raga-rock” and “acid rock”) and especially in the case of Dylan, the Stones, The Beatles and to a lesser extent all the other good groups in rock and roll, the ability to maintain their own identity both as rock and roll and as the Beatles, or as Bob Dylan, or as the Rolling Stones, and so on. Thus, the Beatles can safely afford to be eclectic, deliberately borrowing and accepting any outside influences or idea or emotion, because their own musical ability and personal / spiritual / artistic identity is so strong that they make it uniquely theirs, and uniquely the Beatles. They are so good that they not only expand the idiom, but they are also able to penetrate it and take it further. “Back in the USSR,” this album’s first track, is, of course, a perfect example of all this: it is not just an imitation (only in parts) of the Beach Boys, but an imitation of the Beach Boys imitating Chuck Berry. This is hardly an original concept or thing to do; just in the past few months we have been deluged with talking “going back to rock and roll,” so much that the idea (first expressed in the pages of Rolling Stone) is now a tiresome one. Because it is, like all other superficial changes in rock and roll styles, one that soon becomes faddish, over-used and tired-out. In the past few months we have been the Turtles doing The Battle of the Bands and Frank Zappa and the Mothers with their Ruben and the Jets. The Turtles were unable to bring it off (they had to ability to parody, but not the talent to do something new with the old style) and the Mothers were able to operate with a strictly circumscribed area with their usual heavy-handed satirization, a self-limiting process. It is all open to the Beatles. It would be too simple to say that “Back in the USSR” is a parody, because it operates on more levels that that: it is fine contemporary rock and roll and a fine performance thereof; it is also a superb commentary on the United States S R, hitting every insight honey disconnect the phone.” As well as a parody it’s also a Beatles song. The song is undoubtedly the result of Paul McCartney’s three trips to the United States in 1968 before the album was made (not including a four day visit to New York this past November after the album was done). It is the perfect introductory song for this set. What follows is a trip though the music of the U.S. (SR). From here on, much of the material is from India, songs the Beatles came back with after their sojourn at the Maharishi’s table. “Dear Prudence” is about a girl the Beatles met while meditating in India. The Beatles were always trying to get her to come out of her room to play, and this is about her. “Looking through a Glass Onion” is, of course, the Beatles on the subject of the Beatles. Whatever they may feel about people who write about their songs and read things into them, it has undoubtedly affected them eating away at their foundations and always forcing that introspection and that second thought. And so here is a song for all those trying to figure it out don’t’ worry. John’s telling you right here, while he is rolling another joint. Part of the phenomenal talent of the Beatles is their ability to compose music that by itself carries the same message and mood as the lyrics. The lyrics and the music not only say the same thing, but are also perfectly complementary. This comes also with the realization that rock and roll is music, not literature, and that the music is the most important aspect of it. “Obladi Oblada” where they take one of the familiar calypso melodies and beats, is a perfect example. And it’s not just a calypso, but a rock and roll calypso with electric bass and drums. Fun music for a fun song about fun. Who needs answers? Not Molly or Desmond Jones, they’re married with a diamond ring and kids and little “Obladi Obladda.” All you need is Obladi Oblada. “Wild Honey Pie makes a nice tribute to psychedelic music and allied forms. “Bungalow Bill,” the mode of the Saturday afternoon kiddie shows, is a tribute to a cat the Beatles met in Marrakesh, an American tiger hunter (“the all American bullet headed saxon mother’s son”) who was there accompanied by his mother. He was going out hunting, and this song couldn’t put the American in better context, with his cartoon serial morality of killing. “While my Guitar Gently Weeps” is one of George Harrison’s very best songs. There are a number of interesting things about it: the similarity in mood to “Blue Jay Way” recalls California, the simple Baja California beat, the dreamy words of the Los Angeles haze, the organic peace lapping around every room as if in invidible waves. Harrison’s usual style, in lyrics has been a slightly self-righteous and preaching approach, which we have here again. One cannot imagine it being a song about a particular person or incident rather a general set of incidents, a message, like a sermon, impersonally directed to everyone. And this song speaks at still another level, the very direct one of the title: it is a guitarist’s song about his guitar, how and why and what it is that he plays. The music mimics the li near, continuous line of the lead guitarist. It is interesting to note that the song opens with a piano imitating the sound of an electric guitar playing the heavy Spanish lead line well before the guitar picks up the lead. I am willing to be something substantial that the lead guitarist on this cut is Eric Clapton, yet another involution in the circular logic on which this song is superbly contracted as a musical piece. The title, “Happiness is a Warm Gun,” comes from an advertisement John read in an American rifle magazine. That makes this track the first cousin of “Revolution.” The three parts of it; the break into the wonderful 1954 C-Am-F-G style of rock and roll, with appropriate “Bang, Bang, choo, choo.” What can you say about this song except what is obvious? Part of the success of the Beatles is their ability to make everything they do understandable and acceptable to all listeners. One needn’t have an expert acquaintance to dig what they are doing and what they are saying. The other half of letting rock and roll music be receptive of every other form and style of music, is that rock and roll must be perfectly open and accessible to every listener, fulfilling the requirement of what it is a popular art. Paul demonstrates throughout the album his incredible talent as one of the most prolific and professional songwriters in the world today. It is embarrassing how good he is, and embarrassing how he can pull of the perfect melody and arrangement in any genre you would care to think of. Just name it and Paul will do it, like say, for instance, a love song about a dog in the Gilbert and Sullivan style, with a little ragtime, a little baroque thrown in. “Martha, my dear,” about Paul’s English sheepdog of the same name, with hairy puns (“when you find yourself in the thick of it) and all. And of course, it works on the level of the send up and also as an inherently good song, standing fully on its own merits. “Blackbird” is one of the beautiful Paul McCartney songs in which the yin-yang of love is so perfectly fitted: the joy and sorrow, always that ironic taste of sadness and melancholy in the lyric and in the minor notes and chords of the melody (remember” “Yesterday” “Eleanor Rigby” “Good Day Sunshine” prominently among many) The irony makes it so much more powerful. Not only irony: these songs and “Blackbird” share other qualities the simplicity and sparseness of instrumentation (even with strings) make them penetrate swiftly and universally. This one is done solely with an acoustic guitar. And of course there is the lyric: “Take these sunken eyes and learn to see; All your life you were only waiting for this moment to be free.” “Rocky Raccoon” is another one of those McCartney offhand tour-de-force’s. Perhaps the Mound City Blue Blowers, circa 1937? Paul is so incredibly versatile not only as a writer, but also as a singer and a musician. Dig the vocal scatting, the saloon-hall piano; then the perfect phrasing, enunciation, the slurring (as in the phrase “I’m gonna get that boy”) the song is so funny and yet dig the lyrics: “To shoot off the legs of his rival.” Not just to kill, mind you, but to maim. And so why does this song come off so funny? Death is funny. “I will” is simply another romantic ballad from Paul’s pen. He uses every available musical device and cliche' available””melodies, instrumentations, arrangements, harmonies, everything and he does something entirely professional. If Paul can do songwriting as easily as some people do crossword puzzles (and that is not to say that he is flippant or careless, because Paul has allowed himself to display his absolute professional ability with song to a point that it can only be seen as a form of personal honesty), John’s songs are agonizing personal statements, They are painful to hear. “Julia” is a song to his mother, whom John saw killed in a car accident when he was 14 years old. It is the most emotionally revealing pieces on the album. The whole world has been witness to the personal lives of the Beatles, and it seems that a record album is most appropriate place for such a message, sung to, sung for, his mother. And as always John is protected by his innocence. “I’m so tired” begins in the manner of the late night jazz singer (I wonder should I get up and fix myself a drink.) if not, again, one of the many early styles of rock and roll with those elegantly placed electric guitar chops. And again, it uses this only as a base, a take off point to go on into completely modern, extremely powerful choruses: “You know, I’d give you everything I’ve got for a little peace of mind,” where everything arrangement, vocal, instruments, melody perfectly evokes the agony of the plea. David Dalton says of this song, “It reminds me of how many changes John has gone through since he was the plump cheeky leader of the Fab Four. Jesus Christ, Sgt. Pepper, leading the Children’s Crusade through Disneyland: a voyage to India as victims of their own propaganda: Apple, a citadel of Mammon … even two years ago, the image of Lennon as a martyr would have seemed ludicrous, but as his trial approaches, a gaunt spiritual John hardly recognizable as his former self emerges. This metamorphosis has taken place only at the cost of an incredible amount of energy, and the weariness of this song seems to fall like the weight of gravity.” Other songs on side two include one by George and one by Ringo. George’s “Piggies” is an amazing choice to follow “Blackbird” with such an opposite mood and message. “Blackbird” so encouraging, “Piggies” so smug (though accurate: “what they need’s a damn good whacking”). Ha! By comparison, both “Piggies” and Ringo’s polka, “Don’t pass me by” (trust Ringo to find the C&W music of any culture) are weak material against some of the superb numbers, although on their own, they’re totally groovy. But it brings forward two interesting points: neither Paul’s near-genius ability with notes nor John’s rock and rolling edge of honesty are sine qua non for the Beatles. The taste and sense of rightness in their music, to choose the perfect musical setting, the absolutely right instrument, are just as important. The second is that there is almost no attempt in this new set to be anything but what the Beatles actually are: John, Paul, George and Ringo. Four different people, each with songs and style and abilities. They are no longer Sgt. Pepper’s Lonely Hearts Club Band, and it is possible that they are no longer The Beatles. When they get together it’s “Why Don’t We Do it in the Road,” which whatever else it may sound like it ain’t nothin’ but a Beatles field holler. This is one of many observations to be made about this album. It is at once both their simplest (plain white cover) and yet most complex effort to date. Someone will do the work, and maybe come up with a list of old and new rock and roll songs and styles which each of these tracks is supposed to be based on. “Birthday” might be Hendrix or Cream, maybe even Larry Williams. The point is that it is, like “Helter Skelter” and “Everybody’s Got Something to Hide” as well, all of these; the very best traditional and contemporary elements in rock and roll brightly are suffused into the Beatles. The “hard rock” aspect of the Beatles is one often over looked and neglected, often times purposely in the attempt to get them to be something they are not. They are a rock and roll band, after all, and they can do that thing. The straight rock is some of their most exciting and mature material (They don’t however cut the best of the Stones or the Who). If “Birthday” is based on, say the guitar licks of Jimi Hendrix or Clapton, it takes what is best form it and uses it in its own fashion, perfectly within context and joined with something new in rock and roll sound recording, which in this case is the wavering piano sound, obtained by using the leakage from the original piano track onto an empty track as the final take for the mix. In “Everybody’s God Something to Hide Except for me and my Monkey,” all the old elements of the Beatles are brought back, right up to date, including use of all the old fashions and conventions in such a refreshingly new manner. Take the structure of the song, for example: it is based on the old I-IV-V twelve-bar progression in approach, but in actuality they never do the old thing. From IV they go to VII. When they get back to V after that, they take the most unusual way in sound and melody to get back to I. They also use those old Beatle harmonic tones (By way of comparison, set this song against what Steppenwolf is now popular at doing with this same material) “Helter Skelter” is again both tradition and contemporary””and excellent. The guitar lines behind the title words, the rhythm guitar track layering the whole song with that precisely used fuzztone, and Paul gorgeous vocal, Lord, what a singer! Man, you can”˜t sit still. No wonder you have blisters on your fingers. As completely wide-open eyed artists, sensitive like all others in McLuthanville, they are of course caught up and reflective in their music of what’s happening around them, especially the recent scenes they have been through. Many of these songs if not the vast majority of them were written while the Beatles were with the Maharishi. “Everybody’s got something to hide” is certainly reflective of it in its lyric. “Sexy Sadie” is the Maharishi. The harmonies and other vocals lines are exquisite, especially the “s’s” The lyrics and the vocal delivery are to sincere and yet so sarcastic. John is still John. “You may be a lover, but you ain’t no dancer,” what a choice for the next track. Another very deliberate parody is “Yer Blues”, a song that does away with most all of this “blue revival” nonsense out of Great Britain these days. With the exception of Eric Clapton, the Jeff Beck Group, and maybe one or two as yet unfamous individuals, the Beatle are simply better at it. And that makes it so ludicrous. The organ riff at the end of the last chorus so perfectly tells the whole story; it is based on the very boring and repetitious style of those new blues musicians who will pound the shit out of some mediocre change or short riff as if it is the riff which has got them to such incredible heights of feeling and style. The Beatles of course, make it interesting, because it is so stylistically in context with the piece in which it is set. Some of the opening lyrics “Yes I’m lonely wanna die.” The lines “black cloud crossed my mind” is in phrasing and content a parody of the “black cat crossed my path,” and yet a good line by itself and as part of this song. Forgetting the parody for a moment, it’s a very good modern rock and roll blues. Dig the lines “My mother was of the sky/My father was of the earth/But I am of the universe/And you know what it’s worth.” Getting back to the message (even in the title), here’s Mr. Dalton again, on the English blue scene, “The trendy transvestites of the English blue scene: Pretentious and ludicrously out of context a cult of the blues boarding on intellectual snobbery and purism. It is hard to imagine anything more incongruous: the English blue fans fanatically denomcing a group for adding horns, field breaking out of the audience at the Blues Festival. Mr. Jones (which the Beatles refer to in this song) is said to be Dylan’s grisly portrait of the folk purist, with his intellectual hang ups, who could not accept the brash commercial forces of rock and roll. The blues purist who looks down on Soul Music as a debased commercial form is just Mr. Jones in a sheepskin jacket.” If you take anyone of these songs and really get down with it, to where every piece of excellence and craftsmanship is explained and understood fully (and it’s always just as good and always even better when you do), whatever you say about that one song is as true for the rest. Revolution No 1″ is a better piece, in texture and substance, than the single, although the latter was better as a single. “No1” carries the message more easily and more successfully. The horns at the end are a gas, and even, I think, a little “Day Tripper” by George on the left earphone. “Honey Pie” is another one of those perfect Paul McCartney evocations of a whole musical era, understanding the essence so finely, that it could be as good as the original. Lovin’ the rhymes: crazy-lazy, tragic-magic, frantic-Atlantic. He not only is able to re-create such moods and eras with his melody, his words, his arrangements, instrumentations, but also with his voice. He is equally expert in all these areas. “Honey Pie” is also more sophisticated version of “When I’m 64,” just as “Savoy Truffle” is a more sophisticated look at “Lucy in the Sky with Diamond” and “Back in the USSR” a more sophisticated “Sgt. Pepper” It is unlikely that “With a little help from my friends” will ever be topped as a song for Ring. The question is whether they are better songs. I am inclined to think so, but only the acquaintances of time will tell, and it doesn’t really matter anyways. If these are weaker songs, they are the only flaws of this album set. It is relatively minor point and considered at a longer view, an almost irrelevant one. No creative persons in history were able to match their own brilliance with absolute consistency. “Cry Baby Cry” hits me at first as a throwaway; but the further acquaintance says this “another top notch Beatles song. Every time they are exploring and opening new possibilities and combinations. Every time they make them work.” So many factors enter into the success of the Beatles in what they do. Some of them have been touched on. In addition to everything else, they are excellent musicians (Ringo’s drumming on this LP is his best, and among the very best to be heard on any rock and roll record; George’s leads are continually well-placed, well written and well played). We see them all in their varied strengths on this record. In short, it is the new Beatles record and fulfills all our expectations of it. In general you could say that this new release (excellent) stands in the same relationship to Sgt. Pepper (incredible) and Revolver (excellent) was to Rubber Soul (incredible). And that is to say, the next one ought to be incredible. Good night. Sleep tight. ~ Jann Wenner (December 21, 1968) Rolling Stone Magazine Issue No.24 TRACKS: All songs written and composed by Lennon–McCartney, except where noted. Side one 1 Back in the U.S.S.R. - 2:43 2 Dear Prudence - 3:56 3 Glass Onion - 2:17 4 Ob-La-Di, Ob-La-Da - 3:08 5 Wild Honey Pie - 0:52 6 The Continuing Story of Bungalow Bill - 3:14 7 While My Guitar Gently Weeps (George Harrison) - 4:45 8 Happiness Is a Warm Gun - 2:43 Side two 1 Martha My Dear - 2:28 2 I'm So Tired - 2:03 3 Blackbird - 2:18 4 Piggies (Harrison) - 2:04 5 Rocky Raccoon - 3:33 6 Don't Pass Me By (Richard Starkey) - 3:51 7 Why Don't We Do It in the Road? - 1:41 8 I Will - 1:46 9 Julia - 2:54 Side three 1 Birthday - 2:42 2 Yer Blues - 4:01 3 Mother Nature's Son - 2:48 4 Everybody's Got Something to Hide... - 2:24 5 Sexy Sadie - 3:15 6 Helter Skelter - 4:29 7 Long, Long, Long (Harrison) - 3:04 Side four 1 Revolution 1 - 4:15 2 Honey Pie - 2:41 3 Savoy Truffle (Harrison) - 2:54 4 Cry Baby Cry - 3:02 5 Revolution 9 - 8:22 6 Good Night - 3:11 #thebeatles #johnlennon #paulmccartney #georgeharrison #ringostarr #whitealbum	MESSAGE_PAGE		All Things Music Plus	https://www.facebook.com/allthingmusicplus/	115,872	1969-12-31 18:00	Send message		IMAGE			1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/467978959_8553898121346424_3349756412106988951_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=108&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=iWJH8xnNHSQQ7kNvgG3xbDp&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AVb2WEXPohVFFXfSfoJUtNi&oh=00_AYC1wa58J14elc5jHd-AyqHuB9LsUm1vQVe_9-roS1qpIw&oe=67470B62	PERSON_PROFILE	0	All Things Music Plus	1969-12-31 18:00	View Edit Delete
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2,506,406	/src/Template/Ads/index.ctp (line 281) '{"alias":2506147}'	No	2024-11-22 18:57	active	1907	EHL Master's in Hospitality Management Testimonial		DOWNLOAD	http://fb.me/	EHL Group	https://www.facebook.com/ecolehotelieredelausanne/	115,235	1969-12-31 18:00	Download	fb.me	DCO	EHL challenges you with powerful networking and exceptional learning!	http://fb.me/	1969-12-31 18:00	https://scontent-lga3-2.xx.fbcdn.net/v/t39.35426-6/467991370_1169590954500504_3318225510767351166_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=101&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=BaLbu3fHikAQ7kNvgF0YimH&_nc_zt=14&_nc_ht=scontent-lga3-2.xx&_nc_gid=A5LfuU_C6kdwrqTiqaYS_l_&oh=00_AYCDodx0jralmqaIROGkBvHifXDXXJNaA9G8969UsM2oyg&oe=674701E2	PERSON_PROFILE	0	EHL Group	1969-12-31 18:00	View Edit Delete
2,505,717	/src/Template/Ads/index.ctp (line 281) null	Yes	2024-11-22 18:57	active	1907	Seguir leyendo👉👉	Ella decidió divorciarse de su marido, que siempre había estado enamorado de su primer amor. Inesperadamente, él se negó a dejarla ir. Para empeorar las cosas, su hermanastro diabólico también intervino al mismo tiempo de manera dominante, ¡queriéndola para él! ===== ¿Lo había oído bien? ¿Estoy embarazada? ¡Estoy embarazada de un bebé de Pierce! ¡Mi mejor amigo y mi primer amor! --Qué bueno que haya sido cautelosa, pudo haber perdido a su bebé, señorita Monroe --me dijo el ginecólogo con seriedad al ver la sorpresa en mis ojos. En ese momento, me toqué el vientre inconscientemente, sin poder creer que hubiera un bebé acostado allí. Cuando salí del hospital, no podía esperar para contarle a Pierce sobre nuestro bebé. Me preguntaba cuál sería su reacción. ¿Gritaría de felicidad? ¿Me baría y todo eso? ¡Dios! No podía contener mi felicidad. Incluso tomé mi cara roja entre mis manos mientras fantaseaba. Pero en el momento en que sentí el frío del anillo en mi dedo, mi corazón que latía salvajemente se calmó. Casi olvidaba que Pierce no estaba interesado en tener hijos, menos considerando que nuestro matrimonio fue arreglado por su familia. Por supuesto, Pierce era un completo caballero, como amigo y como marido. Cada vez que teníamos relaciones suales, él era considerado y cauteloso, y decía que no era necesario agregar más ataduras si no estábamos listos. Este bebé, en cierto modo, estaba fuera de los planes. --Señora, ¿está todo bien? ¿Necesita que llame al jefe? --preguntó mi conductor privado, Luke, preocupado al notar mi ceño fruncido. Luke era confiable como un miembro de la familia, pero no quería contarle porque quería que Pierce fuera el primero en enterarse de esta noticia. Él era el padre de mi bebé. --No --dije y negué con la cabeza, dándole a Luke una sonrisa tranquilizadora--. Está en el vuelo. Hablaré con él más tarde --y así vería su respuesta yo misma en sus crudas expresiones. Siempre fui buena en eso. Finalmente, cerré los ojos y recordé el día en que nos conocimos. Su brillante sonrisa a la luz del sol era tan deslumbrante que parecía un príncipe. Me enamoré de él a primera vista, mucho antes de que nos convirtiéramos en mejores amigos. Pero era sólo un amor no correspondido y yo lo sabía bien. En ese instante, bajé la ventanilla del auto para tomar un poco de aire fresco y, sin quererlo, vislumbré nuestra antigua escuela secundaria. Ese sentimiento amargo llenó mi pecho una vez más... Pierce fue mi primer amor, pero yo no era el suyo. En la escuela secundaria, yo no era más que una nerd aburrida a los ojos de los demás, mientras que Pierce Anderson era el brillante mariscal de campo. Todos se sorprendieron de que pudiéramos ser amigos. Aunque las hostilidades hacia mí aumentaron, disfruté estar cerca de él y poco a poco me di cuenta de que no quería ser sólo su amiga. Sin embargo, justo cuando estaba a punto de confesarle mis sentimientos, otra chica llegó a su vida. Sacudí la cabeza tratando de deshacerme de esos viejos y tristes recuerdos. Luego toqué el frío anillo de bodas en mi dedo y me dije que el pasado ya había pasado. Pierce dijo que habían terminado y que ahora yo era su esposa. Sí, yo era su esposa y además estaba embarazada de su bebé. Pronto, me sequé las lágrimas de las comisuras de los ojos y abrí la puerta de nuestra casa. Mi corazón se calmó al respirar el aroma de mi hogar, nuestra casa. Pierce y yo la decoramos juntos con nuestras propias manos. Lo disfrutamos. Sí, tal vez estaba pensando demasiado. Esa mujer había estado fuera de nuestras vidas durante mucho tiempo y los últimos tres años mi matrimonio con Pierce fueron tan hermosos como un cuento de hadas. Una vez dentro, miré el reloj de la pared. Para ese entonces, Pierce ya debería haberse bajado del avión. Estuvo más de un mes en viajes de negocios de nuestra empresa familiar. Pierce era el presidente de ADE, la empresa de revistas de moda líder en toda Asia, y yo era la vicepresidente de la compañía. No sólo éramos compañeros de vida, sino también buenos socios en el trabajo. En verdad lo extrañaba. De inmediato, marqué su número, pues tenía muchas ganas de escuchar su voz y saber cuándo llegaría a casa. Le prepararía una buena comida y él me premiaría con un dulce beso. Y luego podríamos... Vaya, en ese momento casi olvidé que estaba embarazada. Debía contarle eso primero y luego podríamos hacer otra cosa. Estaba imaginando felizmente nuestra encantadora reunión, pero mi corazón dio un vuelco cuando una voz de mujer cruzó la línea. --¿Hola? Al escuchar esa sola palabra, dejé caer mi teléfono, que se rompió al chocar contra el suelo, y mi cuerpo empezó a temblar incontrolablemente. ¡NO! ¡No podía ser ella! ¡No podía ser Lexi! ¡Ella ya estaba fuera de nuestras vidas! Debí haber escuchado mal. De inmediato, corrí hacia la nevera en un intento por calmarme con la ayuda de un poco de alhol. Pero en el momento en que toqué la botella de vo, recordé las palabras del médico sobre mi bebé. Debía tener cuidado por la salud de mi bebé, así que solo agarré una caja de leche y caminé hacia el sofá. En ese entonces, no sabía qué me hizo reconocer esa voz como la de Lexi. Nosotras nunca fuimos cercanas. Lexi Gilbert era la típica belleza rubia por la que los hombres se volvían locos. Ella era una animadora popular en la escuela secundaria, mientras que Pierce era el mariscal de campo estrella. Encajaba mejor con él que una nerd como yo, ¿verdad? No me sorprendió que se haya enamorado de ella. Mi orgullo no soportó ver al hombre que amaba volverse loco por otra mujer, así que una vez intenté alejarme de ellos en silencio, pero Pierce se negó a salirse de mi vida. Cada vez que me ahogaba en un mar de libros y estudios para olvidarlos, Pierce aparecía en mi puerta invitándome a salir. No podía decirle que no a su sonrisa encantadora y tampoco podía decirle que no porque afirmaba que era su deber como mi mejor amigo llevarme a disfrutar del mundo real. Para no arruinar nuestra amistad, oculté mi corazón roto y desempeñé en silencio el papel de su mejor amiga, siempre a su lado y observando su rostro feliz por otra chica. Finalmente, cuando supe que Pierce planeaba proponerle matrimonio a Lexi, me armé de valor y fui a estudiar al extranjero, sin saber que su abuela me llamaría para rogarme que regresara. Por supuesto, volví a toda prisa sólo para ver a Pierce sin vida. Lexi le había herido gravemente el corazón y el mío sufría por mi amado. Empecé a odiar a Lexi desde ese momento. Le había entregado a mi amado hombre, ¡cómo se atrevió a hacerle tanto daño! ¡Esa bruja! Pierce no le contó a nadie lo que pasó, excepto que había terminado con Lexi. Luego, la abuela arregló nuestro matrimonio. No entendí por qué estuvo de acuerdo hasta que un día lo escuché decir que casarse con cualquiera que no fuera Lexi sería lo mismo para él. Aquello me dolió mucho, pero aun así me casé con él sin pensarlo dos veces. Mi amado estaba destrozado y quería recomponerlo, sin importarme si eso me arruinaba a mí en el proceso. Me quedé dormida sintiéndome muy insegura y preocupada. Me desperté en medio de la noche cuando sentí que alguien acariciaba mi mejilla. Lentamente abrí los ojos y me di cuenta de que me había quedado dormida en la sala de estar. Alguien me levantó del sofá e inmediatamente reconocí su olor y tacto mientras lo miraba con los ojos entrecerrados. --Pierce… --Hmm --murmuró mientras caminaba hacia las escaleras--. ¿Por qué te dormiste en el sofá? Yo solo me quedé mirándolo a la cara y luego me dejó suavemente sobre la cama, acarició mi cabello y besó mi frente. Siempre fue tan gentil y por eso lo amaba tanto. Llevábamos más de un mes separados, mi cuerpo lo extrañaba y mi corazón lo anhelaba. --¿Dónde estabas? Te estuve esperando --dije mientras acariciaba su mejilla. --Acabo de encontrarme con un amigo. Dijiste que me estabas esperando, ¿es urgente? Al ver su rostro amable, de repente no quise arruinarle el momento, así que cerré mis labios entreabiertos y tragué la verdad para devolverla a mi estómago. Mañana, tal vez mañana tendría el coraje de afrontar todos los rompecabezas. De modo que solo sacudí la cabeza, hice un puchero y le dije que tenía sueño. Él se rió entre dientes y me dio un beso de buenas noches, pero en el momento en que estuvo a punto de dejarme, por alguna razón entré en pánico. Rápidamente lo agarré y lo bsé con toda mi pasión... Lo extrañaba y lo quería. --Espera, Kels --dijo y me detuvo, sujetando mis locas manos sobre la cama--. Pensé que habías dicho que tenías sueño y que necesitabas descansar. --Sí, pero te extraño --exclamé y lo miré con inocencia. Pude captar el deseo brillando en sus ojos, pero se desvaneció de pronto y yo no comprendía por qué. Solía ponerse feliz cuando yo tomaba la iniciativa. En ese instante, como si notara mi confusión, se rió entre dientes y me pellizcó juguetonamente la nariz. --Me daré una ducha. Huelo a alhol --manifestó. Yo solo asentí y lo miré mientras caminaba hacia el baño. Pronto la somnolencia volvió a atacarme, así que cerré los ojos para tomar una siesta. Sin embargo, ya era de mañana cuando abrí los ojos nuevamente y Pierce estaba a mi lado, poniendo una bandeja con comida en la mesita de noche. --¡Ey! --lo saludé y sonreí cuando me di cuenta de lo que había hecho. Me había preparado el desayuno para llevármelo a la cama. Era tan dulce. Él sonrió y se sentó en la cama. --Buen día. Le devolví la sonrisa mientras me sentaba en la cama. En ese momento, agarró la bandeja y la puso a mi lado. Al instante, levanté una ceja e incliné la cabeza mientras miraba su hermoso rostro. Sus cejas espesas y negras enmarcaban sus hermosos ojos de color marrón oscuro. Su nariz era orgullosa y puntiaguda y sus labios eran rojos y finos. Parecía un chico malo y sxy, incluso Damon Salvatore se avergonzaría de estar a su lado. Nadie tenía posibilidad alguna contra este hombre. --¿Qué es esto? ¿Un soborno? Me dejaste plantada anoche, chico malo --dije. Él no se rió. Exhaló un suspiro y colocó con suavidad mi cabello detrás de mis orejas antes de tomar mi mano y mirarme a los ojos. --Tengo algo que decirte. Al instante, sentí que mi corazón se aceleraba y pensé en nuestro bebé en mi útero. Tenía algo que decirme, yo también tenía algo que contarle. --¿Q-Qué cosa? --pregunté con voz temblorosa. De repente, dio un profundo suspiro y comenzó: --Sabes que eres importante para mí, ¿verdad? Asentí lentamente con los labios entreabiertos. No pude responder, tenía miedo de lo que estaba a punto de decir. Tenía un mal presentimiento. --Eras mi mejor amiga antes de casarnos. Eres una de las pocas personas que valoro… --prosiguió. Mientras hablaba, escondí mis puños cerrados debajo de la sábana. No sabía por qué me decía todo esto, pero ya podía sentir las lágrimas acumulándose en el rabillo de mis ojos. --Kelly... --hizo una pausa y cerró los ojos con fuerza antes de volver a mirarme a los ojos--. Creo que es hora de que nos divorciemos. --P-Pierce… --exclamé y sentí que mi corazón se apretaba. Él sonrió. --Sé que tú tampoco sientes nada por mí. Te casaste conmigo por mis abuelos, hiciste esto solo porque los amas. Ahora llegó el momento de nuestra verdadera felicidad, Kelly. Al oírlo, no pude evitar sacudir la cabeza. --¿De qué estás hablando, Pierce? --inquirí. --Lexi ha vuelto, Kelly. Mi primer amor ha vuelto. Capítulo 2 Punto de vista de Kelly--Llueve sobre mojado De inmediato, me levanté de la cama e intenté irme, pero Pierce me agarró la mano. Rápidamente me sequé las lágrimas que rodaban por mis mejillas antes de que él pudiera verlas. Luego, se paró frente a mí y me miró a la cara mientras yo intentaba con todas mis fuerzas mirar hacia abajo y evitar verlo a los ojos. Sentí que mi corazón se rompía en pedazos. Pensaba… pensaba que podría hacer que se enamorara de mí en esos tres años que pasamos juntos. Pensaba que sus sentimientos cambiarían y me vería como una mujer en lugar de solo su mejor amiga. Fui estúpida por tener esperanzas y soñar tan alto. Fallé. Sin importar cuánto lo intentara, su corazón pertenecía sólo a su primer amor: Lexi. --Kelly… En ese momento, contuve el aliento y me tragué el dolor mientras lo miraba. Luego fingí una sonrisa y dije: --Debo lavarme las manos antes de comer. Pero él me miró a los ojos como si intentara descubrir lo que estaba pensando. Yo sabía que él me conocía demasiado bien, así que traté con todas mis fuerzas de ocultar mi dolor y le sonreí. Finalmente, suspiró y soltó mi mano. --Bueno. Te esperaré aquí. Comamos y vayamos a trabajar juntos. ¿Juntos? ¿Por qué era tan cruel? ¿Quería que nos siguiéramos llevando bien como si no me hubiera pedido el divorcio? ¿Quería que nos quedáramos como estábamos justo después de decirme que su primer amor había regresado y quería divorciarse de mí? Oh Pierce, ¿qué estaba pasando por tu cabeza? Antes podía obligarme a mí misma a quedarme en el puesto de su mejor amiga mientras le deseaba felicidad, pero ya no tenía ese coraje después de los tres años que habíamos compartido. No había manera de que pudiera soportar esa tortura otra vez, en especial ahora que cargaba a su bebé. El bebé... en un principio pensé que era una buena noticia para nosotros, pero ahora... supongo que sería más bien una carga para él. Una carga que le impediría conseguir su verdadero amor y su libertad. Yo sabía muy bien cómo crecía un niño no deseado. Mis padres se divorciaron antes de que mi madre muriera y la nueva familia de mi padre me odiaba, lo que me dolía muchísimo. Por eso no quería que mi bebé experimentara lo mismo que yo sentí, así que debía mantener a mi bebé alejado de él. --No podemos --dije mientras fingía una nueva sonrisa--. Debo visitar el estudio para la sesión de fotos de nuestros nuevos modelos… --Iré contigo. --No --contesté y aparté su mano. Sus ojos siguieron mi mano antes de levantar la cara para mirarme de nuevo--. Tienes documentos que firmar. Nuestros horarios ya están organizados, ¿recuerdas? --Pero… --Tengo un conductor personal, Pierce. Estaré bien sola --afirmé. Finalmente, suspiró y asintió con calma. En ese momento, le di la espalda y entré al baño. Inmediatamente abrí la ducha y me paré bajo el agua fría. Las lágrimas cayeron en cascada por mis mejillas mientras me cubría la boca para reprimir los sollozos. Mis hombros temblaban mucho y cuando pensé en mi bebé, tragué saliva y traté de calmarme. Luego me limpié la cara y acaricié mi vientre. Debía ser fuerte y mantener la calma. No podía arriesgar la vida de mi bebé sólo porque me habían roto el corazón. Tenía que lidiar con esto de forma inteligente. Unos minutos después, tomé un respiro profundo y terminé mi ducha. Cuando salí del baño, me sorprendió ver que Pierce todavía estaba allí. Estaba luchando por arreglarse la corbata frente al espejo de cuerpo entero. También noté un par de zapatos y un vestido míos sobre la cama. --¡Ey! Elegí tu vestido para hoy --dijo. Como nuestro matrimonio no era público, Pierce dijo que haría pequeñas cosas para mí como marido. De hecho, lo había hecho bien y yo solía disfrutar de estos dulces momentos que me regalaba, pero ahora sentía que eso mismo me maría. Al segundo siguiente, agarré el vestido y entré al vestidor, sentiendo que me seguía. Volví a guardar el vestido blanco y elegí uno rojo. Cuando me di vuelta y lo tuve de frente, lo vi con la frente arrugada. --Hoy prefiero el rojo. Me sentiré hermosa con este vestido --expliqué con una sonrisa. Al instante, sus ojos se dirigieron al vestido que sostenía y su rostro inmediatamente se calmó. Al final asintió y caminó hacia mí. --Ya veo. Pero antes ayúdame a arreglar esto --me pidió. Sin dudarlo, puse mi vestido en su brazo y comencé a arreglarle la corbata. Podía sentir sus ojos mirándome intensamente y eso hacía que mi corazón latiera muy rápido. Respiré hondo y me mordí el labio inferior mientras luchaba por arreglar su corbata. De pronto, mi visión se volvió borrosa otra vez. ¡Maldición! --Kelly… No pude evitar sobresaltarme en shock. --¿Mmm? --¿Estás bien? --preguntó. Lo miré y sonreí: --Sí. --Tengo algo más que decirte. En ese instante, terminé de arreglarle la corbata y le quité rápidamente el vestido del brazo. Lo miré antes de pasar junto a él y dije: --Hablaremos después. Voy a llegar tarde. Lo escuché suspirar antes de volver a seguirme. Me vestí mientras él estaba detrás de mí. Estuvo en silencio todo el tiempo, como si estuviera pensando en algo. --Deberías desayunar antes de irte --comentó. Un segundo después, me paré frente a él y asentí. --Lo haré. Deberías irte ahora --respondí. --Kelly, estamos en la misma página, ¿verdad? --preguntó. Lo miré fijamente. No, Pierce. Nunca estuvimos en la misma página. Sólo fueron mis estúpidas fantasías. Pensaba que sentías algo por mí, pero estaba muy equivocada. --Si hablas del divorcio, lo entiendo, Pierce. Sé lo que tengo que hacer. Sólo dame algo de tiempo porque estoy muy ocupada con la empresa. No huiré. --Kelly, no estoy haciendo esto sólo por mí. También lo hago por ti. Has estado encerrada conmigo desde que nos casamos. Sé que no eres feliz porque en el fondo también quieres encontrar al hombre que te mereces. Alguien que realmente te ame, no yo. No alguien indiferente. --Entiendo lo que tratas de decir, Pierce --dije y traté de darle la espalda, pero antes de poder hacerlo, él me sujetó por la cintura y me mantuvo en el lugar. Luego hizo todo lo posible para captar mis ojos hasta que lo consiguió. Su mirada era de preocupación. --Eres mi mejor amiga. No quiero perderte, Kels. Eres una de las pocas personas… --Lo sé --lo interrumpí con frustración. Parecía sorprendido, así que me calmé--. Ya lo sé. No tienes que preocuparte. Simplemente estoy estresada por el trabajo, no es por el divorcio. En ese instante, sus labios se separaron, asintió lentamente y soltó un suspiro. Luego, caminó hacia mí y me congelé cuando besó mi frente con dulzura… --Gracias, Kelly --susurró. Al oírlo, mi corazón se apretó. Habían pasado tres años pero todavía era una cobarde. «¿Por qué no puedes simplemente decirle que lo amas, Kelly? ¡Él es tu esposo y estás llevando su bebé! ¡Díselo y tal vez cambie de opinión!» pensé. Con eso en mente, tragué saliva y estuve a punto de decírselo, pero justo en ese momento su teléfono sonó. Pude ver el identificador de llamadas. Era Lexi. --Me tengo que ir --afirmó y se rascó la cabeza a modo de disculpa, mientras las comisuras de su boca se curvaban hacia arriba--. Llamé a Luke. Te espera afuera. Come antes de irte, ¿sí? Con eso, salió de nuestra habitación. De repente, las lágrimas que había logrado reprimir hasta ese momento volvieron a brotar. ¿Por qué había pensado que podría tener una oportunidad? Él tomó su decisión en el momento en que me pidió el divorcio, ¿verdad? Siempre que se trataba de Lexi me abandonaba. Capítulo 3 Punto de vista de Kelly--Mantener la compostura Entré al estudio con tacones rojos de cinco centímetros y un vestido igualmente rojo. Todos miraron en mi dirección cuando entré caminando por el pasillo y me saludaron con una sonrisa, pero mantuve mi rostro estoico, sin mostrar emoción alguna. La conversación de esa mañana con Pierce todavía estaba en mi cabeza, pero no podía permitir que afectara mi trabajo. No podía fallar en mi trabajo después de haber fracasado en mi matrimonio. De modo que respiré profundamente para recomponerme. Un momento después, cuando entré a la sala de la sesión de fotos, noté que todos estaban sumidos en el caos. --¡No podemos! No responde las llamadas. ¿Qué debemos hacer? La vicepresidente viene hoy, se enojará. --Podemos simplemente decirle la verdad. Ella es amable. --¡No lo será con esta situación, Lily! Nos va a regañar... --¿Qué está pasando aquí? --pregunté mientras entraba a la sala. De inmediato, el personal me miró con expresiones preocupadas y entonces supe que había un problema. --B-Buenos días, señorita Monroe. Señorita Monroe. Por supuesto, nadie sabía que Pierce y yo estábamos casados excepto nuestras familias. Sentí como si pellizcaran mi corazón con esa verdad. Dolía. Rápidamente, la miré sin comprender. --¿Qué ocurre? --T-tenemos un problema, señorita Monroe. La señorita Chen, nuestra modelo, no atiende nuestras llamadas. Dijo que escuchó que íbamos a cambiar de modelo así que… no quiere venir. Incluso... amenazó con presentar una demanda contra nosotros. Después de decir eso, inclinó la cabeza. Yo apreté los dientes y recorrí el lugar con la mirada. --¿Dónde está la directora de marketing? --inquirí. --E-Ella todavía está tratando de convencer a la señorita Chen, señorita Monroe. Luego de escuchar el problema, me masajeé la frente y cerré los ojos con fuerza. Un segundo después, me agarré del pelo y grité de ira. Sentí que todos a mi alrededor se sobresaltaban sorprendidos. Yo solo suspiré y tomé una gran bocanada de aire antes de mirar a mi alrededor. --Señorita Monroe... --¿Qué es todo esto, señorita Hayley? Tú eres la directora de marketing, ¿qué está pasando? --Señorita Monroe, no sé cómo sucedió, pero la señorita Chen escuchó que usted cambiará de modelo. Está a punto de presentar una demanda contra nosotros... ¿Cambiar de modelo? ¿Cómo es que yo no sabía nada al respecto? La señorita Chen siempre había sido nuestra modelo de confianza y, si no era necesario, cambiar de modelo para una sesión comercial con tan poca antelación sólo causaría muchos problemas a la empresa. Nunca permitiría un error como este. --Yo no pedí eso. Debe ser un error --la interrumpí para ahorrar tiempo--. ¡Arregla este desastre o tendré que despedirte! --Señorita Monroe... Fue el presidente quien nos pidió que la cambiáramos --explicó Hayley vacilante--. Lo ordenó ayer tan pronto como regresó de su viaje de negocios. Aquella verdad me golpeó con fuerza. ¿Fue orden de Pierce? ¿Por qué no me lo dijo? Solía discutir conmigo cada decisión importante antes de tomarla. --No puede ser... --exclamé confundida. Pierce no era un hombre de negocios despistado. Siempre mantuvo una clara distinción entre el trabajo y la vida personal, razón por la cual siempre tuvo éxito. Y esa fue también la razón por la que decidió mantener nuestro matrimonio en secreto. --Sí, Kelly. Yo di la orden. --Su voz me hizo retroceder. --S-Señor Presidente… --saludó Hayley y se inclinó con respeto al ver al hombre que apareció de repente detrás de mí. --Pierce, ¡creo que me debes una explicación sobre este cambio de modelo! --dije con los dientes apretados mientras me giraba para interrogarlo. Él sabía perfectamente cuánto esfuerzo puse para ganar este proyecto. Estuve días sin dormir y la señorita Chen era la persona ideal para este trabajo. De hecho, él también estuvo de acuerdo. Pero ahora… simplemente cambió la modelo a su gusto sin avisarme con antelación. Eso fue como abofetearme con fuerza en la cara. --Continúen con el trabajo. Yo se lo aclararé --le indicó él al personal para calmarlos, ignorando la ira que estaba a punto de salir de mis ojos. --¡Contéstame, Pierce! ¿Por qué cambias de modelo tan de repente? --No pude contener mi enojo. Él simplemente me tocó el hombro y me susurró: --Este no es el lugar para discutir al respecto. Te lo explicaré en el auto. En ese momento, miré a mi alrededor y noté que los demás nos miraban furtivamente. Luego me quité sus manos de encima y caminé hacia el estacionamiento, pero durante el camino, sentía mi corazón cada vez más pesado. Tenía la sensación de que su explicación no iba a gustarme. --Vamos, dímelo --exclamé ni bien nos sentamos en su auto. Antes de hablar, me miró a los ojos como si sopesara mis emociones, pero yo aparté la mirada de nuevo. No podía soportar sus miradas, no podía soportar esos ojos que nunca me miraban como yo quería. Él no sentía nada por mí y eso me dolía mucho. --Yo-yo… --hizo una pausa y suspiró--. Reemplacé a la señorita Chen porque Lexi quiere ser nuestra modelo. Ella también encaja en el proyecto, así que estuve de acuerdo... --¿Qué? --pregunté con incredulidad. De pronto, apretó los labios y miró hacia otro lado. Luego se revolvió el cabello antes de sacudir la cabeza y tomar mi mano. --Lamento no haberte dicho antes, fue muy repentino. Ella me pidió un favor, no pude decirle que no. Rápidamente, retiré mi mano y lo miré con dolor y enojo. --No pudiste decirle que no, así que preferiste dañar a la empresa, a nuestra empresa. Me traicionaste, Pierce. --Kels, vamos. Sabes cuánto la amo. Ella es mi primer amor. Al oírlo, cerré los ojos con dolor. «Oh sí, ella es tu primer amor. Siempre la quisiste a ella, sin que te importen los demás. Si ella te frunce el ceño un poco, puedes hacer la vista gorda ante el dolor y el esfuerzo de los demás. Eres tan cruel, Pierce» pensé. --Bueno, ya lo has decidido. No tengo voz y voto en esto ya que tú eres el presidente. Ahora vete, estaré en la oficina --indiqué con frialdad mientras abría la puerta del auto para salir. --Kelly… En ese instante, lo miré a los ojos y dije: --Ve a casa temprano. Hablaremos de nuestro divorcio esta noche. Capítulo 4 Punto de vista de Kelly--Plantada Me encontraba jugueteando con el anillo de bodas en mi dedo mientras lo esperaba. Le había dicho que volviera temprano a casa, pero todavía no regresaba y ni siquiera contestaba mis llamadas. Bueno, ahora que Lexi había vuelto, probablemente ya no veía a esta casa como su hogar. De pronto, mis ojos se dirigieron a mi informe de embarazo que estaba sobre la mesa. Qué gracioso. Todavía era tan ingenua para albergar un rayo de esperanza de que las cosas podrían cambiar si le hablaba del bebé, pero este bebé estaba fuera de sus planes. Me sequé las lágrimas que se acumulaban en el rabillo de mis ojos y agarré el informe. Ya eran las cinco de la mañana cuando miré el reloj de la pared. Intenté marcar su número nuevamente, pero seguía sin responder. ¿En qué estaba tan ocupado? ¿Estaba hiendo el a**r con Lexi? Debió haberla extrañado mucho, ¿verdad? Pronto, sin saber cuándo, me quedé dormida. Cuando sonó el despertador, inconscientemente toqué la almohada a mi lado. Frío como anoche, no había vuelto a casa todavía. Me burlé de mí misma al ver mi reflejo en el espejo de la cómoda. Los círculos oscuros bajo mis ojos se veían a simple vista y mi cabello era un total desastre, parecía un fantasma. De repente una oleada de náuseas inundó mi estómago y me di cuenta de que no había comido nada la noche anterior. De pronto, me sentí mal otra vez y rápidamente corrí hacia el lavabo y vomité. Escupí un líquido amarillento que sabía muy mal. De inmediato, me lavé la boca y miré mi propio reflejo en el espejo. Al verme, sacudí la cabeza y tomé mi frente en cuanto sentí ganas de vomitar de nuevo. Volví a escupir el líquido amarillento y mientras me lavaba la boca, sentí una cálida mano acariciando mi espalda. Inmediatamente levanté la cara y me encontré con un par de ojos marrones que me miraban a través del espejo. Detrás de mí con cara de preocupación estaba mi esposo Pierce. --¿Estás bien? ¿Te sientes mal? Debiste haberme dicho. Al instante, lo miré a través del espejo. --No respondiste mis llamadas --contesté. Ante aquellas palabras, la culpa apareció en sus ojos. --Lo lamento. Tenía cosas que hacer. Me quedé en la oficina toda la noche --afirmó. Rápidamente, me limpié la cara y pasé junto a él. Pierce me siguió mientras me sentaba frente al tocador y comenzaba a peinarme. --Kels… --Me desperté tarde. No pude preparar el desayuno. Mientras hablaba, intenté evitar sus ojos. Sentía que iba a perder los estribos y gritarle. En ningún momento sentí su egoísmo tan claramente como ahora. Decía que yo era su mejor amiga, pero nunca le habían importado mis necesidades, mis sentimientos. --Kels... sabes que no te pregunté eso. Estoy preocupado por tu salud... Kels, ¿todavía estamos bien? Ante aquella pregunta, dejé de peinarme y lentamente nuestras miradas se encontraron a través del espejo, otra vez. ¿De verdad me estaba preguntando eso? ¿Después de que me pidió el divorcio sin siquiera preguntarme si estaba de acuerdo? Él decidió por su cuenta sólo porque su primer amor había vuelto. No podía creer lo que hacía. Al final, fingí una sonrisa y dije: --No me siento bien hoy, Pierce, eso es todo. Un instante después, se puso de cuclillas a mi lado, lo cual no me resultó sorprendente porque sabía que realmente se preocupaba. Pero lo que sí me sorprendió fue que hacía todo esto después de enterrar una daga en mi corazón. --¿Estás bien? --preguntó mientras tocaba suavemente mi frente y mi cuello--. ¿Estás enferma? Dime cómo te sientes, Kels. --Mis sentimientos no importan --no pude evitar decir y parecía sorprendido por mis palabras. En ese instante, intenté evitarlo, pero me agarró de la muñeca y me hizo mirarlo. Su rostro ahora reflejaba su ira. Había perdido completamente la paciencia. --¿Qué te pasa, Kels? Has estado actuando así desde ayer. ¿Es por Lexi? ¿O porque no volví a casa anoche? --inquirió. Yo lo miré a los ojos, molesta. --¡Tú fuiste quien pidió el divorcio! Te pedí que regresaras temprano para hablar al respecto, pero me dejaste esperando toda la noche. ¿Pretendías que te diera la bienvenida con brazos abiertos después de eso, Pierce? --respondí. Al escucharme, apretó la mandíbula y sacudió la cabeza. --Kels, yo... --Ya basta. Hablaremos del divorcio después del trabajo. --¡Kels! --me llamó y me agarró de los hombros. La confusión y el dolor eran visibles en sus ojos--. ¿Estás... enamorada de mí? Aquello me desconcertó. ¿Enamorada? ¡Sí! Desde que estábamos en la escuela secundaria, desde que se convirtió en mi mejor amigo. ¿Quién no se enamoraría de alguien que te ha estado protegiendo desde entonces? Siempre he estado agradecida de tenerlo como mi mejor amigo y esposo, pero ahora… lo estaba perdiendo. Perdiéndolo irremediablemente. Decidí darle a nuestro matrimonio una última oportunidad, hacer un esfuerzo final... ...... ==== Casarse con su mejor amigo fue un sueño hecho realidad para Kelly, pero todo tiene realmente una limitación. Pierce es el primer amor de Kelly, pero como su mejor amiga, sabía bien que siempre había otra mujer en lo profundo de su corazón. Lexi Gilbert. Kelly finalmente se dio cuenta de que su feliz matrimonio de los últimos tres años era solo un hermoso sueño cuando Pierce pidió el divorcio solo porque Lexi regresó. Ella sólo podría ser su mejor amiga incluso si estuviera encinta de su bebé. ¿Por qué no merecía ser amada? ¿Qué sucederá en adelante? ¿Cómo podría Kelly salvar su corazón en esta batalla de amor y odio? Los capítulos disponibles son limitados aquí, haga click el botón abajo para instalar APP y disfrutar leyendo más contenidos maravillosos. (Al abrir el APP, directo accederá a este libro) &5&	LEARN_MORE	https://fbweb.manobook.com/14603375-fb_contact-spc	Happy reading	https://www.facebook.com/61566043183664/	351	1969-12-31 18:00	Learn more	fbweb.manobook.com	IMAGE		https://fbweb.manobook.com/14603375-fb_contact-spcp25_2-1030-core1.html?adid={{ad.id}}&char=124213&accid=2029568687383448&rawadid=120214044489410700	1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/465237043_586205500428601_1824023346892929047_n.jpg?stp=dst-jpg_s60x60&_nc_cat=102&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=_TNwyjltsD8Q7kNvgEFx-17&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=A4ejfbUDJ92x73BVMt-x_Tb&oh=00_AYDUxRLHzAnM2GgE4tJgvMyp7cMwUyCkMVNEYAOkniz3Jw&oe=67470B32	PERSON_PROFILE	0	Happy reading	1969-12-31 18:00	View Edit Delete
2,505,515	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	Yes	2024-11-22 18:57	active	1907	Download Now👉👉👉	The Vampire And His Blood Wife ONLY on Drama Time.🎬 Don't miss out! Watch the series you've been wanting to see. No regrets, just pure entertainment! #Must SeeTV #No Regrets #Watch Now	WATCH_MORE		Romantic Love		0	1969-12-31 18:00	Watch More		DCO			1969-12-31 18:00	https://scontent-lga3-2.xx.fbcdn.net/v/t39.35426-6/459420534_1028491418966118_6401726771713912672_n.jpg?stp=dst-jpg_s60x60&_nc_cat=101&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=KJcBCKqjE0UQ7kNvgFOIrgz&_nc_zt=14&_nc_ht=scontent-lga3-2.xx&_nc_gid=AHhNUdOAmhBNtfSXNF3Ikjp&oh=00_AYC1CdGfpnocGZBhHTH5YXa9E_qbqpzg1fQXRHi8TncEug&oe=6746EC97	REGULAR_PAGE	0		1969-12-31 18:00	View Edit Delete
2,506,012	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	Yes	2024-11-22 18:57	active	1907		OSAWAOMTIE UPDATE: are at a crossroads. After five and a half years of relentless dedication, we are so close to turning the Osawatomie shelter’s horrible past into a beacon of hope and second chances. Walls have gone up, the concrete is poured, and the dream is alive—but we can’t finish without your help. This isn’t just about a shelter. It’s about a promise—a promise to every wagging tail, every gentle purr, and every soul waiting for their second chance. It’s about proving that love, hope, and faith can build something extraordinary. We’ve already raised $122,000, but we need $248,000 more to bring this dream to life. With every donation, we are one step closer to a new meet-and-greet room, a cat haven, additional kennels, a bathroom, and ginormous play yards where dogs will finally feel the freedom of hope and joy. We know we can do this, but we can’t do it alone. Whether you sponsor one of these items or contribute $10, $100, or $1,000, every single dollar matters. Together, we can turn this dream into reality. We only need 248 heroes to donate $1,000 each. If you can, your generosity will forever be a part of this journey with two yellow bricks on our fence—one for an inspirational quote and the other engraved with your personal touch. And a yellow brick will join the path leading to our new shelter. But even $10 makes a difference. Every contribution adds up, and it’s incredibly important to this mission. Scroll through the photos. Look at how far we’ve come and imagine what we can accomplish together. Anything is possible when we BELIEVE. Will you help us? Always & Furever 23595 223rd St, Spring Hill, KS 66083 Donate online or via PayPal at alwaysandfurever@yahoo.com Venmo: @AlwaysandFurever Other ways to help: Stock Donations: Tax-efficient giving that maximizes your impact. Corporate Giving: Many employers match donations or volunteer hours—double your impact! IRA Distributions: Make a tax-free transfer directly to us and help save lives. Let’s finish this road together—for them, for hope, for the future.	NO_BUTTON		Always & Furever Midwest Animal Sanctuary	https://www.facebook.com/nevertoolateforhappilyeverafter/	169,467	1969-12-31 18:00	No button		VIDEO			1969-12-31 18:00	https://scontent-lga3-2.xx.fbcdn.net/v/t39.35426-6/467993605_1260258081764049_1454863837496433738_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=109&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=ZLS9gUldD2oQ7kNvgHx_2su&_nc_zt=14&_nc_ht=scontent-lga3-2.xx&_nc_gid=AVIgdYBCGth7f0d09zSevL3&oh=00_AYANC7l-_SYOqIXdzQG3H8yB4lj46cj3kq6dN46ZpiMvGQ&oe=6746EFA3	PERSON_PROFILE	0	Always & Furever Midwest Animal Sanctuary	1969-12-31 18:00	View Edit Delete
2,506,975	/src/Template/Ads/index.ctp (line 281) '{"alias":2506147}'	Yes	2024-11-22 18:57	active	1907	Breakthrough Rapid Knee Pain Relief Program in Fort Dodge, IA	👍 KNEE ARTHRITIS, BONE-ON-BONE PAIN IS OVER! NON-SURGICAL KNEE PAIN RELIEF PROGRAM IN Fort Dodge, IA HEALING CAN START IMMEDIATELY!!! We are Active Health Clinics, and until now people suffering from Knee Pain may have only 3 basic options: (1) Live with the pain; (2) Mask the pain with opioids and steroids with side effects; (3) Consider risky surgery, anesthesia, and potential infections. With the latest Cutting-Edge medical technology available we are able to offer a clinically proven 𝗥𝗮𝗽𝗶𝗱 𝗞𝗻𝗲𝗲 𝗣𝗮𝗶𝗻 𝗥𝗲𝗹𝗶𝗲𝗳 𝗣𝗿𝗼𝗴𝗿𝗮𝗺 that can reduce and potentially ELIMINATE Knee Pain and surgery in patients even with a BONE-ON-BONE Diagnosis. Imagine no more medications… But fast-acting and long-term solutions for: ✅ Constant Knee Pain ✅ Bone-on-Bone Diagnosis ✅ Popping or Crackling when walking ✅ Swelling and stiffness ✅ Restless Legs ✅ Muscle weakness ✅ Difficulty sleeping from discomfort ✅ Unable to bear weight on the knee ✅ Inability to fully straighten the knee It's time to eliminate pain, avoid risky surgery, and regain mobility! Active Health Clinics is now accepting new patients that are looking for an alternative to medications or surgery. Our goal is more flexibility and mobility after ONLY one treatment. Our 𝗥𝗮𝗽𝗶𝗱 𝗞𝗻𝗲𝗲 𝗣𝗮𝗶𝗻 𝗥𝗲𝗹𝗶𝗲𝗳 𝗣𝗿𝗼𝗴𝗿𝗮𝗺 is: ✅ Affordable ✅ Non-Invasive ✅ No Anesthesia ✅ No Scars ✅ Healing Can Start Immediately ✅ High Success Rate ✅ In-Office Procedure ✅ Prevents Surgery Even With Bone-on-Bone Sign Up or Call “(515) 705-6021” to schedule a 𝗥𝗮𝗽𝗶𝗱 𝗞𝗻𝗲𝗲 𝗣𝗮𝗶𝗻 𝗥𝗲𝗹𝗶𝗲𝗳 𝗣𝗿𝗼𝗴𝗿𝗮𝗺 𝐂𝐨𝐧𝐬𝐮𝐥𝐭𝐚𝐭𝐢𝐨𝐧, 𝐄𝐱𝐚𝐦, 𝐈𝐦𝐚𝐠𝐢𝐧𝐠 𝐑𝐞𝐯𝐢𝐞𝐰, 𝐑𝐞𝐩𝐨𝐫𝐭 𝐨𝐟 𝐅𝐢𝐧𝐝𝐢𝐧𝐠𝐬, 𝐗-𝐑𝐚𝐲 (𝐢𝐟 𝐧𝐞𝐞𝐝𝐞𝐝), 𝐚𝐧𝐝 𝐅𝐢𝐫𝐬𝐭 𝐋𝐚𝐬𝐞𝐫 𝐓𝐫𝐢𝐚𝐥 𝐓𝐫𝐞𝐚𝐭𝐦𝐞𝐧𝐭 (𝐢𝐟 𝐜𝐚𝐧𝐝𝐢𝐝𝐚𝐭𝐞) ALL for just $49. Experience this new advancement in medical technology today! Serving Fort Dodge, and all surrounding areas. Active Health Clinics 20 N 29th St. Fort Dodge, IA 50501 (515) 705-6021	SIGN_UP	http://fb.me/	Active Health Clinics	https://www.facebook.com/61565399669636/	41	1969-12-31 18:00	Sign Up	fb.me	DCO	⭐️⭐️⭐️⭐️⭐️ 4.9 (515+)	http://fb.me/	1969-12-31 18:00	https://scontent-lga3-1.xx.fbcdn.net/v/t39.35426-6/461833846_908832734630766_9126855758160151135_n.jpg?stp=dst-jpg_s60x60&_nc_cat=102&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=g_rMF-DXha0Q7kNvgGrM7KB&_nc_zt=14&_nc_ht=scontent-lga3-1.xx&_nc_gid=AoFjUkZFvzVh_93TvYijMq2&oh=00_AYDcbE1yYSg2ZslE7KCmU0OFPTQ1gxjGFnPhRCFSDOkAdA&oe=6746F3B9	PERSON_PROFILE	0	Active Health Clinics	1969-12-31 18:00	View Edit Delete
2,506,250	/src/Template/Ads/index.ctp (line 281) null	Yes	2024-11-22 18:57	active	1907	Gun Metal Metallic Blouse	Have all eyes on you with this Holiday Head Turner! A must-have for anyone who loves to stand out!	SHOP_NOW	https://www.shoptunies.com/products/gunmetal-metal	Tunie's	https://www.facebook.com/shoptunies/	54,768	1969-12-31 18:00	Shop now	https://www.shoptunies.com/products/gunmetal-metal...	IMAGE	Get ready to be a real head turner with this metallic blouse! The unique gun metal color will have all eyes on you, while the comfortable fit will keep you feeling confident all day. A must-have for anyone who loves to stand out in style. Runs true to size. Kelly is in a medium.	https://www.shoptunies.com/products/gunmetal-metallic-blouse	1969-12-31 18:00	https://scontent-lga3-2.xx.fbcdn.net/v/t39.35426-6/468168086_1750804052372177_8503586178662015065_n.jpg?stp=dst-jpg_s60x60_tt6&_nc_cat=101&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=WHDj94p-SZkQ7kNvgFNykIo&_nc_zt=14&_nc_ht=scontent-lga3-2.xx&_nc_gid=A-PwcqM9toSWjsyZLnkVxVF&oh=00_AYAYDz-U-AimZ59ZR5-heoewb7cKWCC5gnbnTgIihjaBVg&oe=6746F23E	PERSON_PROFILE	0	Tunie's	1969-12-31 18:00	View Edit Delete
2,506,208	/src/Template/Ads/index.ctp (line 281) '{"alias":2506147}'	Yes	2024-11-22 18:57	active	1907	Exam + X-Rays and 1st Back Pain Relief Treatment just $49	NEW BACK PAIN RELIEF BREAKTHROUGH PROGRAM IN COVINGTON, LA We are DCOA - Covington and until now people suffering from herniated disc only had 3 basic options: (1) Live with the pain; (2) Mask the pain with prescription medications; (3) Risk shots or surgery. With the latest FDA-Cleared technology available, we are able to offer a clinically proven 𝗥𝗮𝗽𝗶𝗱 𝗕𝗮𝗰𝗸 𝗣𝗮𝗶𝗻 𝗥𝗲𝗹𝗶𝗲𝗳 𝗣𝗿𝗼𝗴𝗿𝗮𝗺 that can reduce and potentially ELIMINATE back pain symptoms in our patients. Imagine no more medications or epidural shots… But a fast-acting and long-term solution for: ✅ Sciatica ✅ Numbness ✅ Sharp pain in the back ✅ Muscle weakness ✅ Trouble standing or sitting ✅ Back muscle spasms ✅ Difficulty sleeping from worsening pain ✅ Pain when walking short distances It’s time to eliminate pain, take pressure off nerves, and regain mobility! DCOA - Covington is now accepting new patients that are looking for an alternative to medications, shots, or surgery. 👉 Sign Up or Call "(985) 244-3168" to schedule a 𝗥𝗮𝗽𝗶𝗱 𝗕𝗮𝗰𝗸 𝗣𝗮𝗶𝗻 𝗥𝗲𝗹𝗶𝗲𝗳 𝗣𝗿𝗼𝗴𝗿𝗮𝗺 𝗖𝗼𝗻𝘀𝘂𝗹𝘁𝗮𝘁𝗶𝗼𝗻 𝘄𝗵𝗶𝗰𝗵 𝗶𝗻𝗰𝗹𝘂𝗱𝗲𝘀 𝗘𝘅𝗮𝗺, 𝗜𝗺𝗮𝗴𝗶𝗻𝗴 𝗥𝗲𝘃𝗶𝗲𝘄, 𝗥𝗲𝗽𝗼𝗿𝘁 𝗼𝗳 𝗙𝗶𝗻𝗱𝗶𝗻𝗴𝘀, 𝗫-𝗥𝗮𝘆 (𝗜𝗳 𝗻𝗲𝗲𝗱𝗲𝗱), 𝟭𝘀𝘁 𝗦𝗽𝗶𝗻𝗮𝗹 𝗗𝗲𝗰𝗼𝗺𝗽𝗿𝗲𝘀𝘀𝗶𝗼𝗻 𝗧𝗿𝗲𝗮𝘁𝗺𝗲𝗻𝘁 (𝗶𝗳 𝗰𝗮𝗻𝗱𝗶𝗱𝗮𝘁𝗲), 𝗮𝗻𝗱 𝗧𝗿𝗲𝗮𝘁𝗺𝗲𝗻𝘁 𝗥𝗲𝗰𝗼𝗺𝗺𝗲𝗻𝗱𝗮𝘁𝗶𝗼𝗻𝘀 ALL for just $49, to see if we can help you. Experience this new advancement in medical technology today! Serving Covington and all surrounding areas. DCOA - Covington 1982 North Hwy 190 Covington, LA 70433 (985) 244-3168	SIGN_UP	http://fb.me/	DCOA - Covington	https://www.facebook.com/61566415202610/	16	1969-12-31 18:00	Sign up	fb.me	VIDEO		http://fb.me/	1969-12-31 18:00	https://scontent-lga3-2.xx.fbcdn.net/v/t39.35426-6/464420786_400112469824807_5730094973712613325_n.jpg?stp=dst-jpg_s60x60&_nc_cat=100&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=ITa-ZZUpO5MQ7kNvgGnW6Sd&_nc_zt=14&_nc_ht=scontent-lga3-2.xx&_nc_gid=AeFfLvFPPq-NrZdwbxiv4by&oh=00_AYA6Is3eMVajlkK24tNAh28Zein75bHt8xOqQ2Z5e-viPA&oe=6746E5E3	PERSON_PROFILE	0	DCOA - Covington	1969-12-31 18:00	View Edit Delete
2,505,513	/src/Template/Ads/index.ctp (line 281) '{"alias":2506986}'	Yes	2024-11-22 18:57	active	1907	The Vampire And His Blood Wife👉👉👉	The Vampire And His Blood Wife ONLY on Drama Time.🎬 Don't miss out! Watch the series you've been wanting to see. No regrets, just pure entertainment! #Must SeeTV #No Regrets #Watch Now	WATCH_MORE		Romantic Love		0	1969-12-31 18:00	Watch More		DCO			1969-12-31 18:00	https://scontent-lga3-2.xx.fbcdn.net/v/t39.35426-6/460995122_536409665411185_2841353432547896925_n.jpg?stp=dst-jpg_s60x60&_nc_cat=109&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=WHpaceqHZcUQ7kNvgGvgT2W&_nc_zt=14&_nc_ht=scontent-lga3-2.xx&_nc_gid=AHhNUdOAmhBNtfSXNF3Ikjp&oh=00_AYBlkoP_SjtD_2KGWAW5HTz6nFBscUVtRSNsK2ThxRyjtg&oe=6746E70C	REGULAR_PAGE	0		1969-12-31 18:00	View Edit Delete
2,506,959	/src/Template/Ads/index.ctp (line 281) '{"alias":2506964}'	Yes	2024-11-22 18:57	active	1907	Schedule a battery replacement today.	Click to schedule service.	LEARN_MORE	http://myservicevideos.com/?div=B&source=S&dealer=	Buick Authentic Expertise	https://www.facebook.com/100076535400446/	3	1969-12-31 18:00	Learn More		CAROUSEL	Click to schedule service.	http://myservicevideos.com/?div=B&source=S&dealer=118067	1969-12-31 18:00	https://scontent-lga3-3.xx.fbcdn.net/v/t39.35426-6/467810580_1223529212065699_9146488416818324685_n.jpg?stp=dst-jpg_s60x60&_nc_cat=110&ccb=1-7&_nc_sid=c53f8f&_nc_ohc=ctWhWailY6oQ7kNvgGCULKQ&_nc_zt=14&_nc_ht=scontent-lga3-3.xx&_nc_gid=AoFjUkZFvzVh_93TvYijMq2&oh=00_AYDkKwRX1nHYlDZ1nXkNhYOrOXk7UaFStrbbowFXgwU8nQ&oe=6746F5C4	PERSON_PROFILE	0	Buick Authentic Expertise	1969-12-31 18:00	View Edit Delete

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