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| Page Name | Megan Fox Kelly Art Advisory |
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| Body | In our latest “Reading the Art World” podcast episode, curators Mary Morton and Kimberly Jones discuss the catalogue and their curation of “Paris 1874: The Impressionist Moment,” now on view at the National Gallery of Art. Marking the 150th anniversary of “first” Impressionist exhibition in 1874, this exhibition invites a reinvestigation of what we know—and what we think we know—about the birth of this iconic period in the canon of art history. Reading the Art World is a live interview and podcast series with leading art world authors and writers on insightful new art books. 📌 Listen to this new episode in our link in bio (on Spotify and Apple Podcasts) @ngadc @marygmorton @kimberlyjones285 Auguste Renoir, “The Theater Box,” 1874. The Courtauld, London (Samuel Courtauld Trust). Photo © The Courtauld Claude Monet, “Boulevard des Capucines,” 1873–1874. The Nelson-Atkins Museum of Art, Kansas City, Missouri (Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund) F72-35. Image courtesy of Nelson-Atkins Digital Production & Preservation Antonin Mercié, “Gloria Victis,” model c. 1874, cast after 1879, National Gallery of Art, Andrew W. Mellon Fund Auguste Lançon, “Dead in Line!,” 1873. Musée de la Princerie de Verdun (81.1.401), on long-term loan to the Musée départemental de la Guerre de 1870 & de l’Annexion, Gravelotte (DG2009.1.1), Photo: © Département de la Moselle, MdG1870&A, Rebourg #mfkaa #meganfoxkelly #impressionism #artadvisor #artadvisory #readingtheartworld #artpodcast #nationalgalleryofart #impressionism #impressionistpainting #artinterview |
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